Ryokan – the passage of wind in a vast sky

sky above, great wind (Genju 2013)

Reflection on leaving the household

I came to the mountain
to avoid hearing
the sound of waves.
Lonesome now in another way –
wind in the the pine forest.

Ryokan, from Sky Above, Great Wind: The Life and Poetry of Zen Master Ryokan, Kazuaki Tanahashi

Ryokan is likely my favourite in the imposing genre of Zen Master poets. Kaz Tanahashi offers a delightful exploration of his life and, more delectably, his art. This is a companion book to carry with you and dip into as the moment arises.

There is the simple in Ryokan’s words, a feature that likely gave rise, along with his own demeanor, to the sobriquet of “The Zen Fool.” And perhaps that is fitting because to surrender all manner of contact, comfort, and conventionality would require adopting or cultivating a simple-mindedness about what matters. Like the Divine Fool Nasreddin before him, Ryokan challenges me to re-perceive my life through his subtle teachings.

Falling blossoms.
Blossoms in bloom are also 
falling blossoms.

That preferential mind, holding onto one phase of the continuous flow through life and death. I notice this in every shift from health to illness, that desire for the ease of movement, of the quickness of thought. And he too reveals his own clinging:

Dancing the bon dance,
with a hand towel
I hide my age.

Simplicity of body, speech, and mind reflects a deep self-knowing, an awareness of how we fit in this fleeting world. It’s the honoring of that fit which causes me trouble.

It is not that
I avoid mixing
with the world;
but I do better
playing alone.

And then in counterpoint, so human, Ryokan reassures me as he writes,

Were there someone
in the world
who feels as I feel,
we would talk all night
in this grass hut.

 Being in world, connecting, becoming open, vulnerable. And all the time, seeking solitude, re-connecting with what matters.

skyabove, great wind (Genju 2013)

If someone asks
about the mind of this monk,
say it is no more than
a passage of wind
in the vast sky.

{Edit: It is with great spacious humour that I admit having mixed up the script for “sky” and “great.” One continuous mistake! These calligraphies are hopefully corrected in the right-minded direction.}

cease seeking

Without desire everything is sufficient.
With seeking myriad things are impoverished
Plain vegetable can soothe hunger.
A patched robe is enough to cover this bent old body.
Alone I hike with a deer.
Cheerfully I sing with village children.
The stream under the cliff cleanses my ears.
The pine on the mountain top fits my heart.

Ryokan

With each meditation, each moment of engagement with what is, I am becoming more aware of the sensations of desiring.  This occurs to me in a strand of thoughts: when I am content, contact is luxurious.   I take my time getting to know shape, feel, scent, music, colours, and flavour. Plain vegetables suffice in their richness.

When I’m ravenous for contact, there is an urgency that pushes through the sensations, desiring only that the ache of craving be soothed.  The connection is impoverished by theft.

Just this one breath…

just this one breath… is sized perfectly for my heart

Thank you for still practising,

Genju