Written within stones: Lockdowns, Chittadhar & the epic of the Buddha

We’re approaching the end of 2020. When the year began I had little to warn me of the massive changes to come, in my life and writ large on the global tablet. Ten months. How did you fare? As we enter the next year, what have you let go of and what was taken from you/not you? What have you picked up and what have you woven a new into your life practice?

Has your life become an epic you could write about in captivity?

In February, I started a new path of practice: gardening. Enrolled in the Master Gardener program at Dalhousie University, I was well-armed with cardboard germination trays, potting soil, seeds, and batches of fertilizer for an experiment in nutrient impact on sunflowers. As each seed germinated and cast off the seed case, I would cheer them on! Because I tend to over-identify with my plants, when one little one remained stuck in the seed case, I agonized about releasing it or letting nature take its course. Perhaps nature is equanimous or indifferent; that’s a fine line to discern. Perhaps I tend to express wishful thinking as wise and discerning hope.

I set the little cotyledons free one morning and noted studiously that being held captive longer than its siblings, the lack of exposure to light had left its core streaked. I doted on it as it sprouted its true leaves – a fascinating realization that the first leaves or cotyledons are part of the embryonic package with the endosperm. No seriously, I was obsessed with this little plant. It was a labour of attending without power to effect any directional change. And the lesson was in the attention to those streaks of yellow as they did their job of nourishing the plant.

There must be an epic poem in this or even that Next Book. Alas, as the lockdowns and restrictions wore on my time was diverted to reactivating my work to online meetings and tending the vegetable garden.

However, the season of flowers and fruit taught me that being enclosed in safety is not sufficient for the germination of creative expression. It’s easy to fall into the mundane, distract with a sidebar of progress, or be absorbed into the constructed drama of rights and liberties. Try as we might, we cannot isolate ourselves from the tremendous tragedies, losses of lives and livelihood. The societal fractures that lay just below the surface, that persistently emerged pre-pandemic and were quickly dismissed as special-interest dramas are now inescapable for their truth – unless one wears one’s mask over the inner eye. Forced awake in the last ten months and in seeking safety through self-isolation, we have discovered that the true nature of safety is not in the external stones of our lives. It is in the choices we make with the intention to save all beings – from our darkest nature, from the consequences of our reactivity and ignorance. Under pressure, we forget that every thought, speech, and action is a gift we have given and received.

Yangshan said: Do not betray (what you have received by people’s support)… when it is cold, to wear socks for others is not prohibited.

(Case 47 Shōbōgenzō)

In gardening terms, the cotyledons have done their job giving us the energy to start. It is time to become nourishment for ourselves and others. For that, we will have to adapt, evolve, find the light, and turn towards it.

Now to Chittadhar Hrdaya. A Newari writer/poet in Nepal, he was imprisoned in 1940 for writing a poem titled “Mother”. The police considered it seditious claiming it was intended to accuse the government of “depriving the Newars of their mother tongue.” Despite Hrdaya’s insistence that the poem expressed his grief over the loss of his mother, he was sentenced to six years imprisonment. Initially depressed by the sentence, he responded to the death of his mentor a year later by committing to writing again. Under somewhat improved conditions in the second year of his imprisonment, he began to write the story of the Buddha’s life on scraps of paper torn from his prayerbook. These were smuggled out in food boxes that had a false lid. Published after his release in 1946, it became part of the surge in publishing when the Newari gained the freedom to publish in their own language.

The Epic of the Buddha or Sugata Saurabha (“The Sweet Fragrance of the Buddha”; Shambhala Publications) is a vibrant and lyrical poem of couplets. The rhythm and pace of the words (translated wonderfully into English by Todd Lewis and Subarna Man Tuladhar) conjure movement in every stanza. From the first chapter, Lumbini, to Entry into Nirvana, it flows breath after breath. The chapter, Yashodarā, is deeply moving as it begins with her heart-rending discovery that her beloved has gone. In fact, it is a welcomed view that the Buddha’s actions had painful consequences – an understanding not often explored. Initially, she is filled with fears that “something happened to the Noble One.” She progresses through consigning his absence to a “cruel fate”, trying to find solace in her newborn yet feeling abandoned to raising him without a father, hope when Chandaka returns, and rage when it is apparent her beloved is not with him. Yasodarā’s progression from the security of love to the realization that she had a higher calling is the moral teachings we need.

In Devadatta’s Sacrilege, Chittadhar gives new life to the story of the grieving mother who wanted the Buddha to bring her child back to life. In her pleading words, we see the investment we make in others – children, spouses, colleagues – to create a present and future reality for us. We discern that the “just world hypothesis” is deeply ingrained in our beliefs of reward- & blame-worthiness. The later sections of this chapter focus on the many ways Devadatta pours poison in the ears of the vulnerable and insecure around him. Again, intentions, actions, and consequences.

This is a book to savour. Place it on the shelf beside you. Pick it up and relish a chapter, a stanza, a couplet. It’s not fast food, take-out, or even a well-prepared dinner that’s done in a few minutes. It’s a cotyledon, willing to give its energy for our growth and later to nourish us through the winter into spring.

And, put on your socks – for yourself and others.

paradise in plain sight: lessons from a zen garden by karen maezen miller

IMG_1860 In an exchange with Karen Maezen Miller, author of Paradise in Plain Sight, I wrote, “I have Paradise on standby (pending a number of other activities that crowded my schedule).” I suspect that truer words were never written, spoken or lived. If I learned but one lesson from Paradise in Plain Sight it is how determined we are in obscuring that it is. Our days are filled not with what inspires and impassions us but with things that eat time and offer little nourishment. And then we are astonished that we feel overwhelmed or incapacitated.

Maezen Miller takes us on a gently disciplined stroll through her life as she cultivates this clear seeing of paradise. First, she tells us that paradise means an “enclosed area” and ultimately it is the enclosure of our own backyard, our own life. The lessons of how to tend to that life are offered through teachings stories of her experience in tending simultaneously to her own life and the Zen garden she tends.

It’s actually quite simple. First, she writes, find a garden. I looked out my window at the dishevelled stretch of the west garden. Well, that was exciting, I muttered to myself, at the same time realizing this is how I meet whatever I notice in my life. In the first chapter Maezen Miller brings us into the push-pull of her own life, decisions that should have been made but weren’t, tentativeness about going this way or that, until a chance word turns it all around: “The whole thing was built for Zen.” The real estate agent likely meant the garden itself; Maezen Miller soon discovers it means the thing was built for the whole of Zen, life itself.

Of course life doesn’t come in neatly weeded plots of springing-up roses and gracefully bowing willows. It was heartening to read that ground is hard to break in her world too. Apparently Zen teachers don’t get pre-tilled soil or Super-Gro on demand. They too struggle with the Great Matter. In the chapter “Moon,” she offers the tenderest of teachings by her own teacher, Maezumi Roshi.

“Whether we see a crescent moon or a half-moon, in any of the phases of the moon before it is full, is anything truly lacking?” Maezumi said in the talk (she had transcribed for him). “Perhaps you are more logical than me,” he laughed, “and you don’t wait for the day your life will be full.” p. 42

Maezen takes up the teaching and points to the way we see ourselves as lacking because we mistake the waning moon of our abilities as a true diminishing of who we are.

Your heart is always whole, just as the moon is always full. Your life is always complete. You just don’t see it that way. p. 44

The moon is always full. It is our vision that waxes and wanes. And that is the purpose of practice, to see that fullness.

The point of Zen is to settle on the ground. Feet, knees, butt: on the ground… There is no Zen that is not on the ground. p. 29

DSC_0162It’s reassuring, especially if you garden, to know all that time in the dirt and mud is not just for putting a pretty face on the house. It has been cultivating the solidity we all crave so we can be unshakable in the storms and upheavals of our lives. This solidity defines the spaciousness which is crucial to understanding what life truly is about. And if what life is about must be spelled out: It’s bamboo. Really. Strong, solid yet hollow bamboo which stand firmly planted yet boundless in its infiltration of the ground. It reminded me of the Bishop’s Weed my cousin gave me. Boundlessly indestructible. Maezen Miller crafts a manifesto of being out of her war against bamboo (and I grasp mine against the Bishop’s Weed); it is only a war with ourselves.

  • Be quiet
  • Drop your personal agenda
  • Lose all wars
  • Give up your seat
  • You’re as ready as you’ll ever be
  • Reject nothing
  • What appears in front of you is your liberation

And my favourite: Start over. Always start over.

DSC_0161Finally, though I wished it had been at the beginning, she takes us into the weeds! However, without the tantalizing tales of how the Zen garden came to be, how her life unfolded petal by petal, how roots take hold and vines entangle, I don’t think I would have been ready to take up a vow to live all weeds as an intricate part of my life.

Maezen Miller’s book is an invitation to stop using the constructed clocks around us to define paradise, that enclosed area which we render as a cage or a trap. She appeals to us to seek out the natural timing of our heart beat and the rhythms of our breath so that we can design a space that is livable, sustainable and truly boundless.

Paradise cannot be deferred or put on standby. It wouldn’t matter if it was because that would not keep it from unfolding. It would just keep us from seeing it.

Maezen Miller respectfully reminds us:

Life and death are of supreme importance,
Time passes swiftly and opportunity is lost.
Let us awaken, awaken!
Take heed!
Do not squander your life!

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On a personal note, this book has been an a-maezen gift (yes, I just did that) as I enter my 7th decade this week. Half of it has been spent trying to avoid weeds and overgrowth while tentatively plunking down the flowers in all my gardens. At least now, the trowel looks like an old friend.