Book Review: American Dharma by Ann Gleig

Book Cover American dharma by Ann GliegJust when I thought I had caught up with the winding path Buddhism took from Siddhartha to Asoka to Buddhist Modernism via McMahan and Braun, American Dharma adds another step in the evolution of Buddhism in the West. Author and scholar Ann Gleig brings an incisive and insightful examination of Buddhism’s adaptation, shapeshifting, and co-creation by Western perspectives of its root philosophy. In fact, Gleig’s reading of this path (as with McMahan and Braun) questions whether there was ever a root philosophy. And that takes us directly to the anxiety-provoking thought: Is Buddhism only what we decide it is?

Here, I need to disclose that Gleig includes our work in confronting the misconceptions of the psychologized form of Buddhism called Mindfulness. More specifically, my colleagues and I have attempted to address the self-identification of Mindfulness-Based Interventions/Programs (MBIs) with Buddhism/not Buddhism. (I will forebear jokes about self/not-self.) Gleig is generous in covering our concerns that MBIs while attempting valiantly to siphon in Buddhist concepts and practice, fall short of what is required to be Buddhist teachings in spirit if not exactly in design. I’ll have more to say about that further down.

For now, let’s take an overview of Gleig’s incisive thoughts about Buddhism and the shapes it took in Western culture. Drawing from McMahan’s and Braun’s extensive work, Gleig carefully describes the cultural (and political) imperative that shaped Buddhism from the time of Ledi Sayadaw which placed meditation at the heart of Buddhist practice. The passing on of the torch is traced further from U Ba Khin, Mahasi Sayadaw and their own students, with the most influential being Goenka who (aling with Thai Forest monks) eventually influenced the American phalanx of Buddhism: Jack Kornfield, Joseph Goldstein, Sharon Salzberg, Sylvia Boorstein and the founding of the East and West Coast Insight Meditation Societies.

Gleig explores, with a remarkably balanced perspective, the explosion of Buddhist-based practices with Chapter Two: From the Mindfulness Revolution to the Mindfulness Wars. This is a particularly important chapter because it lays out the reality that it doesn’t matter whether we have subverted Buddhism to support our Western consumer-mind. If we have yet to address issues of disadvantage that are misogyny, racialization, and abuse, Buddhism qua mindfulness is only a mirror of our corrupted values. And, it becomes a weaponized approach to maintaining the status quo. This topic of disenfranchisement is powerfully explored in Chapter Five: The Dukkha of Racism, Gleig unmasks the attempts to change “racial rearticulation” which is

the acquisition of the beliefs and practices of another’s religious tradition and infusing them with new meaning derived from one’s own culture in ways that preserve the prevailing system of racial hegemony (From Cheah quoted in Chapter One).

Chapter Five is sad to read yet from the undertones of disappointment in our limitations to understand how we hurt each other through erasure, there is some hope that with pain comes insight into the suffering caused. Personally, I deeply resonate with “The Empty Seat” (that painful space left on either side of me when I sit at any table – meeting, gathering, socializing) and felt seen by the reading of it.

But back to Chapter Two where Gleig addresses the surge of mindfulness in its multitudinous forms of psychological programs, wellness movements, and “woo-vending”, a fantastic term coined by Philip Theofanos in his article here. The central criticism of mindfulness as a secularized and psychologized process (not practice) is repeatedly that “ethics are stripped” from its content. I’m stepping out of the container of this review by inserting my ongoing stance to this criticism: ethics are both implicit and explicit in the teachings of mindfulness. Dare I say in teaching anything. As such, the battle lines of ethics-protectors (ethics must be included in MBIs) and ethics-dismissives (ethics are implicit in MBIs or would be oppressive to teach) are missing the point. It’s impossible to teach any concept without immediately hoisting the flag of one’s inclinations as well as value-ridden approaches, and that requires full transparency (see Gunther Brown’s chapter in this linked page) as well as self-awareness. However, there is much gold to mine in the hills of conflict, even if generating that conflict is somewhat in conflict itself with the essence of Buddhist thought. And that essence is living a life that is congruent in its intention to do no harm and to test one’s actions against its consequences.

One interview mentioned in Gleig’s impressive references is between Edo Shonin and Jon Kabat-Zinn. Although Gleig uses it to support the view that secular/psychologized mindfulness has value, the interview points directly to the many reasons the discussion of MBIs are so confusing. Kabat-Zinn, both in this interview and innumerable other sources continually dances between “it’s Buddhist” and “it’s not-Buddhist” – I would add there is a hint of “it’s not-not-Buddhist” too. However, this chapter is worthy of a careful read if we hope to understand the convulsive route secular mindfulness has taken to ensure it doesn’t offend anyone.

Of course, the most reliable evidence we have that ethics-in or ethics-out requires more than posturing is this evidence of sexual predators within Buddhist communities. Chapter Three: Sex, Scandal and the Shadow of the Roshi is an excellent dissection of yet another way Buddhists fail to see their dismissal of secular/psychologized mindfulness because of its “stripping away of ethics” begs the question. Further, the connection Gleig makes between Buddhist Romanticism and Buddhist Modernism is crucial to understanding the reasons Western Buddhism has taken on the allure of self-help and the mantel of psychology. This is also covered in Chapter Four: Meditation and Awakening in the American Vipassana Network where we meet the varied branchings out of the vipassana practices into addiction, pragmatism, emotional and relational health, and so on.

In Chapter Seven, aptly titled From Boomers to Gen X, Gleig sets the stage for future generations. Noting the heavy lay slant in the Gen X cohort of young teachers, I wonder about the possible loss of historical memory of what Buddhism is and how Buddhism is to become (though they just need this book to ensure fidelity to the path). However, despite its efforts to rise above the previous generation’s missteps, it was noted in the first gathering of Boomer/Gen X teachers that Gen X may be creating its own blindspot of a “progressive America”. Time will tell.

In all, Gleig has dug deep and carved thick slices of understanding the historical evolution and societal forces that created Buddhism.America. It’s a powerful and unstinting gaze leveled at our misunderstanding of how Buddhism came to be in the West and what it represents in American culture (I can include Canadian culture to some degree because so much of where we train and what we learn comes from south of the 49th parallel). This is a book for the person who wants to strip away the illusion that is currently Buddhism so that they can discern whether it’s self-improvement, awakening, or therapy that they seek.

For the academics of MBI trainers, the look on your students’ and trainees’ faces is worth gold when you talk about the long and winding road that is Western Buddhism! I’ve already made it required reading for my University of Toronto course on Buddhist Mindfulness approaches to Mental Health!

Book Review: Grass Flute Master Yokoyama & the fragrance that spread a thousand ri

I saw zazen as a posture bestowed upon me by the Buddha
Sodo Yokoyama

The Grass Flute Zen Master: Sodo Yokoyama is a long-awaited work by American author and translator, Arthur Braverman. Epitomizing the essentialist philosophy of Zen, Yokoyama is known for his ascetic life, living in a bamboo grove of Kaikoen Park in Komoro City, Japan, writing calligraphic teachings for any passerby who wanted to receive them. Braverman wrote of his connection to Yokoyama in 2005 and the undertones of his longing to pass on the ineffable beauty of Yokoyama’s life are compelling.

“I sit here every day with the exception of three, when I go to Antaiji in Kyoto for my teacher’s memorial ceremony,” he told me when I visited him at the park some thirty years ago, and he added, “It’s an easy life.” I never forgot that “It’s an easy life.” His zazen was “easy” because he left everything to the posture. He said, “Zazen is an ordinary person as he always is, becoming a buddha.” (Lion’s Roar, July 1, 2005)

Later Braverman’s interview with Yokoyama’s only student Jôkô Shibata offered further insight into his diligent if austere practice.

Antaiji, a small temple in the northeast corner of Kyoto, was under the charge of Uchiyama Kôshô Roshi, a long time disciple and dharma heir of Sawaki Roshi, when Jôkô joined the practice there. He had read Uchiyama’s first book and decided to become a monk and study under the master. Yokoyama Roshi had lived together with his younger brother disciple Uchiyama Roshi at Antaiji for eight years and then in 1957 moved to Komoro. He visited Antaiji once a year from then on for the memorial celebration for Sawaki Roshi. It was during one of these visits that Jôkô met his future teacher for the first time. ‘I saw my teacher in zazen posture,’ he said, ‘and made up my mind immediately to study under him.’ (from: Hey Bro! Can You Spare Some Change)

Yokoyama appears to have this effect as both Braverman and Shibata feel drawn to him because of the utter simplicity of his life. I wrote about this attraction in a review of The Zen Teaching of Homeless Kôdô by Kosho Uchiyama and Shokaku Okumura (Wisdom Publications).

Yokoyama and (his teacher) Sawaki Kôdô lived very different lives. Who is to say which is better or which had more impact. What is more relevant is our attraction to one or the other. Or neither. Experiencing that moving towards, pulling away is the essence of Buddhadharma, the kindling point of our transformation. Not because we land on one or the other’s way of life – that way lies guru adoration and the cult of personality. To experience that desire for homelessness, for simplicity, for a life struck through with offering is also to experience our desires, motivations, and intentions in all its fallibility and unexpected mercies. (108 Zen Books, June 17, 2015)

Braverman’s book begins his arranged meeting with Shibata in Komoro City and in good zen style, he begins with the waiting. Waiting for his order of noodles as he waits for Jôkô. Waiting for the memories to flow in their typical unordered way, waiting for pockets of sensibility to fall into. Waiting for a teacher is the underlying theme, running parallel with the searching and the longing. In Braverman’s words there is a longing to understand – how was Yokoyama influenced by his own teachers, by artists and poets of his time – and to understand only that the wanting is neither sufficient nor satisfactory. However, the side trips to the poet Toson and the various people who populate the surroundings of Kaikoen Park give life to the container in which Yokoyama lived his practice, literally outside in the park and outside of the institutions of Zen. In that, Yokoyama is not different from his teacher, “Homeless” Kodo Sawaki and other lineage teachers Hakuin and Bankei. For them, the marrow of practice is the only requirement for living. Braverman writes:

Truly creative teachers can do nothing else. So it was with other great teachers like Hakuin and Bankei, to name two from the other major Zen sect in Japan. What eventually happens, once institutions are formed to follow the ways of these masters, is a slow decline of the original spirit and a dependence on forms and dogmas that water down the true teaching of the founders (p. 39).

The Grass Flute Zen Master is a slowly winding journey through Braverman’s connections and memories of Yokoyama, interspersed with his views of Zen. However, the heart of the book is in his reproductions and exploration of Yokoyama’s waka.

Years ago
meditating in the mountains
a pheasant appeared
and stared
at my zazen.
p. 83

Braverman notes that “my”, being assumed in the Japanese version, is an insertion for (Western) clarity. I wondered if that is the subtle cause of the myriad problems Western Buddhism has.

Yokoyama also brushed poems for his dharma brother, Kosho Uchiyama, a poignant humbling of what he may have felt were his shortcomings

Mother and Father
Brothers and Sisters 
Forgive me
A child without a home

More than mother
More than father
More than brothers and sisters
I love the mountains and rivers
How pitiful!
p. 85-86

Still, the question Braverman takes us to, the question that hangs over all our heads as we sit zazen in all our postures, is perhaps the heart of practice: Why bother? What does a homeless monk, an itinerant teacher in a park, a wandering mendicant contribute? It is reassuring to see the answer is no different from Bodhidharma’s to the Emperor: No merit.

And yet… there is a fragrance that spreads a thousand ri – everywhere.

Zazen is becoming a Buddha while you are a deluded person.
Sodo Yokoyama

the way that is the thread

 

enso-threadThe Way It Is

William Stafford

There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.

..

It’s been a fearfully hot summer approaching drought conditions and in many places surpassing them. We’ve been reeling back our garden work, planting only what we tend to harvest and not planting what ends up in the compost heap after harvesting is a delusion. There have been visits from the Grandestbaby and her entourage with threads of her genetic heritage gathering beautifully, emerging in what is the making of a dangerous woman. I am pleased.

At a recent family gathering, I noted there are four generations present. Complex threads of family stories interweaving cousins, converging in one place. Were this in 14th century Britain it would have all the makings of the War of the Roses, though here it would be the War of the Tastebuds.

Threads.

On Tricycle, I stumbled across this lovely film by Yoko Okumura (produced by Chris Ruiz): SIT. Okumura is the daughter of that other Okumura, Shohaku, author of my favourite book Zen teachings of Homeless Kodo which you can purchase through Wisdom Publications. Look at all these threads to take you into and hopefully back out delicious labyrinths. SIT is a poignant film exploring parenthood and its intended and unintended consequences. We want for our children what we believe we failed to get ourselves in our childhood. What they want we fail to see because the thread we follow is so tightly in our grasp, leading through one path. What Okumura the Zen priest sees as the core of parenting, Masaki, his son, sees as a vacuum. And yet, something emerges. Okumura, the writer/director, captures the chasm between father and son and adroitly flips it to show the tender, painful connections – the longing for form and the unease with emptiness. And this is the path of practice too – teachers and students, Buddha and Dharma, Dharma and Sangha, Buddha and Sangha. The tipitaka of all threads.

Speaking of books.

Somewhere between the topic of moral psychology and the War of the Roses, I fell into Rebecca Solnit’s The Faraway Nearby. The Table of Contents is itself a winding thread, ending where it started – or more correctly ending where we entered because all our threads start back before the faces of our fathers and mothers were born.

She begins with her mother. Doesn’t everything. Her mother, strong. Her mother, deteriorating. Her mother, like the ripe smell of apricots entangled throughout the stories that bind them together. Solnit doesn’t stop there as she escapes to Iceland, explores what it means to feel and try to lift others from pain. Like Wu Daozi who painted such bold landscapes that one could fall into them, we do that – fall into the stories of what/who/where/how we came to be. Solnit evokes the pain we feel in our stories and, as did Okumura, flips them to feel their embrace. Pain serves a purpose as our protector; its “cousin touch” sets the boundary of form and self. Our practice like that of the Buddha is to “stay cool” in its presence, chilling out with Mara, not giving the thread of reactivity any fabric to sew.

The end of the journey through the labyrinth is not at the center, as is commonly supposed, but back at the threshold again: the beginning is also the real end. That is the home to which you return from the pilgrimage, the adventure. p. 188

Along the bottom of Solnit’s book is the actual thread that binds it together. A kind of horizontal sewing to keep the pages from drifting to and fro, leaving us with literary vertigo. It begins with “Moths drink the tears of sleeping birds” and ends “Who drinks your tears, who has your wings, who hears your story?”

And then Zen.

James Ford recently posted Thinking of Books That Helped Me on My Spiritual Path. He tells a story of a robber who in trying to flee ironically becomes captive to the projected stories of the people he tried to fleece.

Captive, as he was, gradually, his own heart turned, and he became wise.

This was a new way to think about spirituality. And, I just loved, loved that a thief could trap himself into becoming a saint.

I too love, love this. Not because I think I’ve trapped myself into becoming a saint. There are and could be tomes written to refute that particular conceit of mine! But I do believe we are trapped by our fears and often fail to see how that place of stuckedness holds the opportunity to let go of what has nailed us to the ground.

There’s a family story told by my mother about a time during the Japanese occupation of Burma. She was alone at home with my infant brother; my father was away finding work, such as he could in a war zone. A Japanese soldier walked into the house. Looking far more European than Asian, she was terrified because the stories told of European women being preferred target for rape were rife and likely real. The soldier sat down on her sofa (uninvited) and asked if he could spend time talking with her. Of course, she said yes but that her husband was returning soon with his cousins (them again!). He asked about the infant, did they have enough to eat, were they suffering in any way? Soon he left only to return the next day with bananas and milk; it was all he could find. They talked (I don’t know if my father was there). She asked him his name. “Monkey,” he laughed pointing to the bananas. He liked bananas so that made him “Monkey”, he explained. He never came back.

My parents, unlike others who were brutalized in worse ways during the war and understandably didn’t, held a respect for Japanese culture. I often wonder if that was the reason I fell into the stories of Zen rather than the Therigata. Or perhaps, the Therigata, by virtue of my grandmother’s Buddhism, is so deeply sewn into my stories that they are the signatures¹ and not the script of the book, the ground and not the weather that flows over. Or perhaps the horrid truth is that we rarely pay attention to the thread as we enter our labyrinth, seeing its use only when we need a quick exit. Thankfully, there is no single response to Ford’s post. I used to keep my Buddhism books segregated carefully as if the very contact of the Zen and Theravada texts would cause the universe to warp. Now they just fall where I’ve let go.

=========

¹In the context of book-binding, a signature refers to a section of paper. All the paper of a book are divided into several signatures and then sewn together. The number of paper in a signature varies, there might be one or more than one, depending on the thickness and size of the paper and the content of the book. From Joy Chen.

sawaki kôdô & yokoyama: unexpected mercies of homelessness

Perhaps one of my most beloved source of teachings comes from the story of Yokoyama Sodô roshi, the grass flute monk. Arthur Braverman wrote of his life here. There is something ephemeral about the life and teachings of Yokoyama, a simplicity and dedication that often escapes us in our plunge forward into making practice something. Following the bloodline back from Yokoyama, we encounter his teacher Sawaki Kôdô roshi known as Homeless Kôdô. This moniker was not just a reference to his tendency to wander Japan teaching but also – if you read The Zen Teaching of Homeless Kôdô by Kosho Uchiyama and Shokaku Okumura (Wisdom Publications) – is reflected in his very perspective of the dharma. Yokoyama evokes a tender compassion for his approach to offering the dharma freely to everyone who walked past his corner of Kaikoen Park in Komoro; we feel ourselves leaning into that bower of leaves to hear his teachings. Sawaki evokes a fierceness born of his own experiences as a soldier fighting for the emperor and that he believed was right to do so as well as his ardent rejection of all things institutional. This determined attitude is in his words (leeway given for translation) on the purpose of the Buddhadharma:

A religion that has nothing to do with our fundamental attitude toward our lives is nonsense. Buddhadharma is a religion that teaches us how to return to a true way of life. “Subduing non-Buddhists,” or converting people, means helping them transform their lives from a half-baked, incomplete way to a genuine way. ~Chapter 2, Having finally returned to a true way of life, The Zen Teaching of Homeless Kôdô by Kosho Uchiyama and Shokaku Okumura.

No minced words here. Left to themselves, Sawaki’s teachings can seem harsh, strangely naive, and yet necessary truths about our “stupidity”. The structure of this book however offers different intonations for his words. Each chapter is presented with Sawaki’s teachings in a pithy quotable quote followed by his dharma heir Uchiyama’s commentary and then his heir Shohaku Okumura. Both Uchiyama and Okumura place Sawaki’s teachings in the context of post-war Japan and the culture that arose after Hiroshima and Nagasaki. They make no apologies for Sawaki rather pointing out that even in a great master’s teachings there lie the foibles of constructed perceptions. And there is a sweetness in seeing three generations of thought evolve. Should you wish to walk away now thinking this is a book of teachings by an irascible, aged, male, grumpy, old Zen Guy, turn into that particular assumption. Not that we judge but rather that the judgement arises from a reactivity to some very real truths in being told we can be deaf, dumb, and blind about our motivations that transcend gender, culture, and time.

Sawaki: Heaven and earth make offerings. Air, water, plants, animals and human beings make offerings. All things make offerings to each other. It’s only within the circle of offering that we can live. Whether we approach this or not, it’s true.

Uchiyama: Heaven and earth, all the ten thousand things freely give us 99.99 percent of our necessities. Only 0.01 percent of the things we need are subject to our decisions whether to be greedy or not. (And even that) we should make efforts to reduce.

Okumura: However, Buddhism is not merely a teaching of social morality. If our deeper motivation is greed, then no matter how much we give our actions cannot be dana paramita, the perfection of offering… Yet if we take bodhisattva vows, our whole life becomes an offering, even if we have no material possessions to give.  ~Chapter 63, The blessing of the universe, ibid.

Yokoyama and Sawaki Kôdô lived very different lives. Who is to say which is better or which had more impact. What is more relevant is our attraction to one or the other. Or neither. Experiencing that moving towards, pulling away is the essence of Buddhadharma, the kindling point of our transformation. Not because we land on one or the other’s way of life – that way lies guru adoration and the cult of personality. To experience that desire for homelessness, for simplicity, for a life struck through with offering is also to experience our desires, motivations, and intentions in all its fallibility and unexpected mercies.

bundles, baggage & bye bye blackbird

Insight comes in the darndest ways. I was scrolling down my Facebook feed deeply engaged in avoiding the reality that I had to pack for a week-long business trip. The routine for going away is just that – a routine, tinged with annoyance about how many pants and sweaters to take and angst over trying to remain vegetarian in a city with the discerning palate of a cave. Snapping myself out of procrastination typically takes some concept or approach that elevates the routine to intrigue. This did: a video on how to pack enough clothing for 60 days into a 22″ carry-on bag.

I tried it. It was awesome. Everything packed into “bundles.”

As the week wore on and irritations became more charged (I get cranky when I’m away from home), it became very apparent that I had packed and brought along far more bundles than those in my suitcase. You know these heaps – or skandhas – well too: form, feeling, perception, mental formation & consciousness. You should; you never leave home without them. In fact, we’re pretty good at packing up all our cares and woe in tight bundles assuming we never have to unpack them.

Anytime I get too snotty about how well my heaps are packed away, I remember the steward on one fight announcing as we prepared to land: Please be careful opening the overhead bins as your contents may have shifted in transit. These life lessons always come from invisible Buddhas and Bodhisattvas crossing our path. Mostly though, we disregard their wisdom and get bonked on the head by cascading aggregates.

Practice helps. Sitting helps a lot. The beauty of leaving home is the liberation from the various scheduled obligations like feeding cats and dogs and elephants, making breakfast, lunch and dinner, doing laundry (for the short hauls) and all the myriad chores that shackle us just out of reach of our cushion. Here in the hotel room, I am liberated from all but my resistance to getting acquainted with my self, that someone waiting for me. Fair warning though, unpacking that carry on was as complicated as unpacking my cares and woes.

If you need more encouragement than taking along a good dharma book, do try the new Worldwide Insight teachings. Each Sunday a different teacher and so far (two sessions) it has been a terrific way to keep practice fresh.

 

writing the sutra of our life: a chinese detective, zhuang zi & hard nails

108zb-black-gold-post_2 Lokesh, the Tibetan monk, embodiment of Avalokiteshvara and conscience in Eliot Pattison’s Tibetan detective series, says to anti-hero Shan: “Jamyang told us his story…It is but for us to understand it. He left us the sutra of his life. We simply need to learn how to read it.” One of the most compelling detective series with a strongly Buddhist and pro-Tibetan message, Mandarin Gate(1) is the latest in the life of Chinese detective Shan and his eternal battle to fight wrongs with right. Jamyang is one of the characters in the novel but with Lokesh’s pronouncement, he can be any one of us.

How do we write the sutra of our life? How do we read and understand such a sutra? Sutras are complicated things, filled with mysterious allusions and verbal illusions. Recently, I had the absolute joy of being part of an art show with Kaz Tanahashi. Over a quiet lunch together (a snow squall had kept others stranded in their homes), I asked how best to study Dogen whom I said, “Is complicated though seemingly simple.” He chuckled and nodded: Dogen is in opposites. He writes “self” but he means “Self.” If you don’t know opposites, you cannot know Dogen.

I wish I could say that helped. It did in a reassuring way that one suddenly realizes the mountain is confirming it is a rather large and ofttimes impenetrable mountain which requires a good guide or key to its mystery. And it leaves me wondering what are the keys to these impenetrable lines of mysterious symbols and signs I’ve carved into my life. My spiritual life – though I hesitate to call it that any more, being saturated by the demands of the mundane world. Then again, that is what it is in its truest form be it Zen or any other form. Chogyam Trungpa wrote in The Myth of Freedom(2) that the intent of the discipline of practice (sit, cook, eat) is to go deeper into an intimate relationship with boredom. That is, we drop past the labels, preferences, gold stars (he calls them ‘credentials’) and addictions to form. We enter the naked lines of our scriptured life. We become entirely what we are in each moment, mountain, river, cloud, sky.

Our problem is that we tire of this ‘just is’ and want some reassurance we are on the right track. The unspoken demand is that this will be value-added to our life, our personality, our internal sense of worth. It will be a ‘credential,’ what Linchi called a ‘rank.’ I understand that it is hard to keep plugging along without some reinforcement. Truthfully the dishes wouldn’t get done without that promise of dessert after. And this is the key to understanding the sutra of our life: we make it all contingent on something happening for us (not in us).

After all, it says that in the suttas, sutras, and every teaching. Hearing the stone on the bamboo brought enlightenment! Seeing the ember, the raised finger…

Gutei-cropWait. What was that story? Gutei’s finger in the Mumokan! Gutei answered questions by raising his finger. His attendant started copying him and Gutei, seeing his mischief cut off the attendant’s finger. As the boy ran away crying, Gutei called to him and raised his finger. The attendant attained enlightenment! Boom! See, we take the raised finger as propellant to full realization and run around flipping it out. Instead of appreciating the simplicity of the one-fingered teaching, we elevate it and ritualize it.

There are all kinds of interpretations of this koan. The boy’s understanding was superficial. Teachings have nothing to do with fingers (sometimes they might with some fingers but we’re not going there today). The usual commentaries focus on owning our wisdom and not mimicking our teachers. The subtext to that is rarely mentioned; once upon a time our own teachers copied their teachers as did Gutei of his teacher Tenryu, finger and all. And there is the impenetrable “copy, yes; copy, no.”

In fact, Thich Nhat Hanh (may he be held in love and peace as he traverses the realms at this moment) makes a strong point that holding onto any teaching (as in holding onto to the raft that gets us across to the other shore) is to violate the percepts. He is quoted in the preface of Heartwood of the Bodhi Tree(3) that “if you have an ideology and stick to it, thinking it is the absolute truth, you can kill millions.”

While this subtext of rigidly copying our teachers calls for compassion for our limitations, the ultimate intent of practice is in learning to write our own sutra, penetrating our own mind. To fully study our self as Dogen teaches, we need to uncover our tendencies to get caught in various levels of mind. In the Book of Chuang Tzu (Zhuang Zi)(4), Confucius (the mouthpiece for Zhuang Zi) is guiding his pupil Yen Hui who is taking on an immense task of transforming a nearby king’s evil ways. Yen Hui had come up with various strategies all of which involved force and intimidation, most based on literal interpretations of Confucius and in his own pride. The master tries in many ways to exhort Yen Hui to see that forcing others to be benevolent is not the best approach. Finally, Confucius tells Yen Hui he has to fast. Yen Hui is baffled because he does fast and Confucius tells him it is the fasting of the heart/mind that is necessary.

Your mind must become one, do not try to understand with your ears but with your heart. Indeed, not with your heart but with your soul. Listening blocks the ears, set your heart on what is right but let your soul be open to receive in true sincerity, The Way is found in emptiness. Emptiness is fasting of the heart.

UBC professor Edward Slingerland states it clearly in a lecture on Chinese philosophy (i.e., with a key to those mysterious lines; see video). Zhuang Zi says:

Hearing stops the ears (it’s at the level of doctrine).
Mind stops with signs (it’s a process of matching up names to reality).
Qi is empty/tenuous and opens to things themselves.

We get caught at the ears (think sound of tree falling); we chant and are caught in mind, mapping to reality. It is only when we cut through these iron-hard nails that hold together our doctrines and assumptions that the sutra of our life can be understood and then written in clear, unimpeded language. That means willing to be vulnerable in our ignorance, exhausted by our anger, and bruised hopelessly by our attachments. With no desire or hope of reward. So write your sutra without the traps of facts and figures, without the compulsion to line up philosophies with actions. Rather write with a boundless transparency and simplicity of what you eternally are becoming.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

(1) Pattison, Eliot, Mandarin Gate (2012). Minotaur Books, NY
(2) Trungpa, Choygam, The Myth of Freedom (2002). Shambhala Publications, Boston MA
(3) Buddhasa Bhikkhu, Heartwood of the Bodhi Tree (1985/2013). Wisdom Publications, Boston MA
(4)Chuang Tzu, The Book of Chuang Tzu (translated by Martin Palmer with Elizabeth Breuilly) (1996). Penguin Books, London UK

Book Review & Giveaway: Meditation on Perception by Bhante Gunaratana

Book Giveaway: I won a softcover version of this book and much as I crave keeping it I will practice the essence of Meditation on Perception by offering it to a randomly chosen reader who leaves a comment on this post, Twitter, or Facebook. Giveaway closes October 17, 2014.

Meditation on Perception (Wisdom Publications) by Bhante Gunaratana is a gem of wisdom delivered in Bhante G.’s simple, clear style. Those of us who study the teachings of the Buddha have an almost facile response to the cause of suffering. It is craving, which is fed by perception; dukkha arises from the way in which we perceive the world and its events. True enough and this book unravels our misperceptions about perception.

(I)n its own nature perception is pure and clean. Yet it is also quite delicate and vulnerable to being distorted by the virus of concepts.

In my own practice, I’ve come to have an ambivalent relationship with my perceptions. A necessary evil in my mind, I engage them with narrow trust and a wide berth. Yet Bhante G.’s unwrapping of the process and mechanisms of perception reveal a subtle working of perception as the language between body and mind. This means a wider trust and more intimate relationship is called for if we are to be guided well by it.

As our mindfulness becomes more stable, we discover that the entire Dhamma is inscribed in our body and mind.

Meditation on Perception is exactly what it says: perception is the object of our meditation with the intention of fully understanding how the six senses (thoughts are one of them) feed us information from inner and outer sources. While the Girimananda Sutta, Buddha’s teachings on perception, forms the primary framework many other relevant suttas are tucked quietly into the chapters exposing us to a wide range of the Buddha’s teachings. Bhante points out that despite the initial purity of perception “concepts, ideas, opinions, beliefs, and many other categories of conditioning, have influenced our perception. In essence, our perception has become distorted. (ebook location 444)” We fall into the mirage of believing there is a fixed self, knotted by desire for permanence and suffering, and living through a preferential mind that leans into pleasurable experiences.

The good news is that perceptions can arise and cease because the causes and conditions that give rise to them also arise and cease. The tough news is that other perceptions take effort to bring into line. To borrow a phrase from neuropsychology, concepts that arise together, wire together. This unwiring takes effort, practice, and unrelenting diligence. Bhante offers several paths of healing distorted perceptions, all of which are applications of teachings from the Ānāpānasati and Satipaṭṭhāna Suttas. By cultivating awareness of breath and mindfulness, we begin to see how the distorted perception self-generate. When we understand that that tainted mind seeks validation from from inner and outer experiences to reinforce its perception, we can also understand the necessity for guarding the sense doors, developing presence to what is arising, and developing patience and loving-friendliness (metta) for our experience.

The ten healing perceptions, impermanence, nonself, unattractiveness, danger, abandoning, dispassion, cessation, nondelight in the entire world, impermanence in all conditioned phenomena, and mindfulness of breathing, are the path through this tangle of distorted perceptions. Meditations on these healing factors disentangle us from our preferences that world meet our needs in a precise, self-centered way. This profound attachment is the fundamental cause of our suffering and the Girimananda Sutta offers hope of release.

What I truly treasured in Bhante’s writings is the use of language that is natural and therefore accessible. Terms that tend to trigger argumentation in my head are rendered in ways that reveal their meaning without any esotericism. “Aimlessness,” one of the three gateways to liberation, is simply “wishlessness.” Disenchantment does not mean disappointed rejection; it is a stance of mature realization of what truly is. The five aggregates each “consists of three minor moments: the rising moment, the living moment, and the passing away moment.”

The living moment.

The delight in the book is also the opportunity to re-engage with the four foundations of mindfulness as well as a number of meditation instructions which place attention on perception, mind, impermanence, and liberation.

This is a welcome addition to Bhante’s prolific series of books that have brought the wisdom of the Buddha to our hearts.