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habit forming

A habit is the link between inspiration and self-realization.  Sometimes the hardest part of an undertaking is not when you start out (you have your initial enthusiasm) and not as you near the end (you have the anticipation of being almost finished) but the middle when your motivation dwindles and all that you seemingly have is your resolution.  That’s enough.  “We are what we repeatedly do,” Aristotle said.  “Excellence…is not an act, but a habit.”

One Continuous Mistake, Gail Sher (pg. 18)

The first day of each year is a starting block.  Like the ones used to position sprinters, I brace against it and breathe, waiting for that starter pistol.  The last two years, the block has been more of a chock block – the kind you use to keep a truck or airplane from wandering off on an adventure of its own sans chauffeur.  And certainly, there have been moments – no, lengthy time spans – in which the blocks got pulled out and I wondered who was driving this buggy.  When I would reflect, it seemed to boil down to practice.  What was my practice?  What was I practising? For all the dedication to formal and informal practice, it seemed there was an accumulating incongruity between areas of my life and between the inner and outer practitioner.

In the Fall, Frank and I made the tough decision to move sangha to our farm.  The decision has been two years in the making and yet it was likely the most painful decision I had to make.  (I say “I” had to make because Frank has been more reasoned in his process of letting go although I don’t think it was any less difficult.)  We shared our desire to make the move with sangha and, as is often the case, the heart-words were inexpressible.  What came out and what was heard was a litany of “can’t” – a can’ticle of rationales?  In end, we expressed it as this: our deepest aspiration is to create a sacred space in which the joys and suffering of all who visit can be cooked into a strong broth of well-being.

To do that we, as a couple and as community leaders, need to be in a space that encourages practice.  We need to approach the hour of formal practice steady and quiet in our being.  It seems selfish and self-serving but the alternative is an edge to our leadership that violates the Prime Directive of Practice: “…help… but at least do no harm.”  What we needed to create for our personal path was a space in which practice can become habit-forming.

So, on the first morning of the this new decade, the starter pistol fired and I set out to clear space.  The zendo, as you’ve seen is already set up.  But my personal practice space – for what Sher calls “invisible practice” – was a mess.  It reflected two years of surrendering to chaos.  Because the zabutons and zafus needed a home, they took up the shelves and nooks and crannies of my study.  Books, art materials, recycle bins stuffed themselves into whatever horizontal openings were left over. It is not possible to be authentic in my formal practice if the rest of my life qualifies for an episode of “Hoarders.”  When the principle guiding my life is one of disregard of well-being, then any truth I may speak is automatically a lie.

So I started with the art table:

Take all this...

organize it on this...

to look like this!

The order of the table is comforting, like the rituals of offering incense, bowing, and dedicating merit.  Sher quotes Issan Dorsey on cleaning: “You just go around and make things look like somebody paid attention to them.”  Paying attention to the spaces that feed me, interestingly, generates a readiness in me to be fed, to receive the feeding (paraphrasing Edward Espe Brown).

The zabutons and zafus found a new home as well.  I had long-resisted putting them in the zendo because I am childishly attached to wide, open, uncluttered spaces.  That is, I was until I realized it was an untruth to have an “uncluttered” zendo if it meant creating and hiding the mess behind closed doors.  The environment Sher speaks of that supports practice is not just external.  In fact, it is not so much the inner or outer practitioner that is important but the congruence between them.  So, the Z’s found a new home:

Notice the stack in front of the altar.  That’s our two Z’s for practice every morning.  No quarter given!

And look what happened in the study:

Thich Nhat Hanh warns that lone practitioners are like tigers who wander alone into a village and come to a hasty end.  Sher refers to this allegory and adds (in the context of writing but equally applicable to the practice of any art) that “(y)ou must use your heart and your will to create an inner environment of “prowling” intention and an outer environment that is harmonious with your goals and includes like-minded prowlers.”

Welcome!

Thank you for practising,

Genju

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rohatsu highlights 4: the unnamed buddhas

Elder Ting asked Lin-chi,
“Master, what is the great meaning of Buddha’s teachings?”
Lin-chi came down from his seat, slapped Ting and pushed him away.
Ting was stunned and stood motionless.
A monk nearby said, “Ting, why do you not bow?”
At the moment Ting bowed, he awakened.

Enkyo roshi told this story and I expected the direction to be something about being one with the bow.  Or maybe that asking impertinent questions only gets you smacked by Old Guys. Or something about the Noble Trueness of being Lin-chi which is license to behave with disconstraint.  Instead she said, “Isn’t it interesting to see all the unnamed buddhas in our lives who speak up and bring us to our practice.”  (That’s not verbatim; remember I’m still in Rohatsu fog.)  The point was that Elder Ting would not have crossed to the other shore without the gentle nudge of the anonymous bodhisattva on the sidelines.  I would add that Elder Ting also would not have awakened if his own body had not responded out of a deep training that now made it instinctive to surrender the ego.

I’ve come to love this story for all its many layers of humility and humanness.  I imagine Elder Ting practising diligently every morning.  He gets up in the dark to brush off the mats, prepare the altar, and arrange the flowers placed there the night before and now slightly wilting from the cold.  His robes fall to the floor from the bones of his shoulders, hanging disconsolate from age and weather.  He is a man proud of his efforts and his years of digging into the dharma; and yet, there is something that eludes him.  There in the candle wick that catches from the ember he holds to it, there in the incense tip that flames then settles into a glow.  It eludes him.  He sweeps his arms out and closes the palms together in gassho.  He drops to his knees and prostrates, fully embracing the earth under him.  Over and over, making no assumptions that his age or accumulated wisdom release him from this act of humility.  Somewhere in this flow, he believes, is the essence of the teachings.  And yet, it eludes him.  Moment after moment, day after day, year after year, he practises, believing that this great meaning of the Buddha’s teachings will reveal itself.  I wonder if he didn’t begin to feel a dryness in the repeated actions, if that doesn’t underlie the question he posed to Master Linchi, “What is the great meaning of the Buddha’s teachings?”

This is just my take on it and, much of it, my projection into the creature, Ting.  I can empathize fully with the sting of Lin-chi’s slap.  Been there, got it, sold the rights to that story.  But I never noticed the miracle that happened right after.

Elder Ting is standing there stunned.  How could this be?  I can imagine (projecting again): After all I’ve practised?  After all I’ve done?  After what I’ve accomplished?  WTF!  (I’m wondering about the Chinese characters for WTF.)  This a door knob moment.  This is a take-my-marbles-home moment.  But before he can exhale into that retreat, the unnamed buddha speaks up.  He moves into the pivotal space between the in- and out-breath.  “Why don’t you bow, Elder Ting?”  Yes.  Why don’t you simply do what you have been practising all along lo these many years?  Your mind has recoiled but your body has not.  It knows what is needed to meet this moment authentically.

Is it Elder Ting who bows?

Is it the universe of invisible and unnamed buddhas he embodied in that moment?

It occurs to me that I didn’t get here alone.  Caught in the sting of Lin-chi’s slap, I tend to forget that.  With the generosity of all the unnamed buddhas, I return to practice.

Thank you, all you unnamed and invisible buddhas, for practising,

Genju