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moving the kamo & the bodhisattva zeno

Our next author on the simple life is Yoshishige no Yasutane who was strongly influenced by Po Chu-i whose grass thatched hall we visited yesterday.  Although Yoshishige no Yasutane wrote of a large mansion in the heart of Kyoto rather than a thatched hut, his sensibilities were rooted in the simple and the spiritual.  After he retired from the civil service in 986, he became a Buddhist monk.  His Record of the Pond Pavilion describes the displacement of people from areas of the city as the landscape was dramatically shifted to accommodate urban sprawl.  Changing the course of the river Kamo and the widespread deforestation to make room for estates caused floods in many areas.  Yoshishige no Yasutane describes the vast changes in the community:

There are abandoned homes where thorns and brambles grew till they covered the gate, and foxes and raccoon dogs dug their burrows there in peace.  From all this it is clear that it is Heaven that is destroying the western sector and no fault of men.

Despite the attempts of farmers and gardeners to adapt, rice paddies flood. Do they expect the citizens of the capital to turn to fish?

The exodus into what were recreational lands cause the loss of forests and streams.  Is Heaven causing this as well, or is it the madness of men themselves? he asks.

He describes his own home: the buildings cover four tenths of the area, the pond three ninths, the vegetable garden two eights, and the water-parsley patch one seventh…  Everything I’ve loved all my life is to be found here.

Just outside the range of the picture to the right are rows of townhouses and supersized homes built on what was farmland and marsh.  The joke in one of the new developments was that they built a pond to replace the marsh because the latter was smelly.  But that only expanded the ground of water and floods everything in the Spring.  It’s natural, I suppose, to want shiny, new things – homes, cars, gadgets.  I freely admit to lusting after the iPad at the moment.  So I can’t be judgmental about the buyers and sellers of what are the grass thatched huts of others.  An externally constructed hunger is an illusion and only feels so real because it mirrors an inner hunger.  We each design our excesses to feed this imagined hunger and, strangely, are surprised when it can only mirror lack.

Yasutane pushes the edge: if we can’t control many aspects of our outer environment, we can be master architects of our inner environment. In its construction, our spiritual abode causes no expense to the people, no trouble to the spirits.  We use benevolence and righteousness for the ridgepole and beam, ritual and law for the pillar and base stone, truth and virtue for a gate and door, mercy and love for a wall and hedge. The piling of goodness is the family fortune.  Such a house cannot be destroyed, invaded, or fall victim to disaster and it passes long into successive generations.

But first, I do have to deal with the external mirages of wanting more and more.  Out of the neural mess I call thinking, Zeno’s challenge emerged as an interesting bodhisattva practice.  So, I invite myself to see how I can get by with half of what I think I need and push to practice with even half less and half again – 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, ad infinitum.

Thank you practicing – and not by halves,

Genju

Addendum:  Please read Ox Herding today for Barry’s brilliant insight to the difference 1% can make.

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thatched hall

The Gulf disaster and the earthquakes in Haiti, Chile and Tibet have highlighted the fragile ecosystem we inhabit and disastrous impact of our lifestyle choices.  And yet, it seems far removed from our everyday life as we get on with the business of life as we want it to be.  Around here, it was another weekend on the farm, consumed with getting vegetable patches ready for planting and violating the First Precept by killing an infestation of grain beetles that had taken up residence in a bag of wheat germ.  To honor the call to action on Sunday, however, I made a determined attempt to look around at the world I inhabit, day after day.

We live on a farm outside the city.  I can’t say that we moved here because of any great conscience about the state of the world.  It was isolated and it allows us a way of life that is simpler than being on an intensely consuming grid of electrical and social power.  Sometimes, I rant and rail against the isolation and the demands of travelling back and forth.  But by the time I turn onto the gravel road, all I want is the silence and view of the maple-dotted ridge and the river where the herons gather.  The house is about 90 years old and we’ve only done the bare minimum to keep it habitable.  We often joke that, when we had horses, the barn was more a photo spread for House and Garden than the house itself.

On weekends, we drive from the farm into town along a route that takes us through the village and then winds  into the quickly spreading suburbs.  It’s a 30 minute drive into this part of town and, along the way, there are houses left abandoned for reasons only known within families: death, illness or the pull for newer and larger abodes.  Markers of life in more difficult yet in some ways, simpler times.

Living the philosophy of a simple life is not so simple.  It often involves taking a stand against prevailing attitudes, speaking to the truth of what is unfolding, accepting what is inevitable without giving in to it, and knowing there will be an ultimate intimacy with the earth.  I’d like to share some of these perspectives over this week in the context of an interesting little book by Burton Watson titled Four Huts: Asian Writings on the Simple Life.   The four householders – the huts are metaphors for being a householder – write of an eerily contemporary parallel in their perspectives and their struggles.

The first is Po Chu-i (also known in the familiar as Lo-t’ien) who was one of the most prolific and popular of the T’ang poets.  Growing up in poverty, he ascended the ranks of the civil service only to run afoul of the government because of his tendency to be outspoken against the reigning policies.  Sent to china’s version of Coventry, a remote area south of the Yangtze, he discovered Mount Lu and built a house which he called “grass-thatched hall.”

Three spans, a pair of pillars, two rooms, four windows – the dimensions and expenditures were all designed to fit my taste and means….  One night here and my body is at rest, two nights and my mind is content, and after three nights I’m in a state of utter calm and forgetfulness.

Po-Chu’i only lived there for two years but it seemed a restorative place in all its simplicity and he was content to live out his career as a lowly civil servant  as a consequence for having taken the stands he did.  What did it matter in the end that he was only a “marshal – a fitting post to spend old age in” if it gave him “Kuang’s Mount Lu, a place for running away from fame.”

A new thatched hall, five spans by three;
stone steps, cassia pillars, fence of plaited

bamboo.

The south eaves catch the sun, warm on
winter days;
a door to the north lets in breezes, cool in
summer moonlight.

Cascades from the spring that drip on the
paving splatter it with dots;
the slanting bamboo that brushes the
window isn’t planted in rows.

Next spring I’ll thatch the side room to
the east,
fit it with paper panels and reed blinds for
my Meng Kuang.

I wonder.  In these calls to action, how can we take the necessary stands, suffer the consequences, and not whine about the exile?  Can we experience, in the reach of Mount Lu, the mountains and rivers and build thatched huts from which to enjoy them?

Thank you for practicing,

Genju