enso & painted rice cakes

It can be enticing to analyse zen paintings.  Like the actions of people around us, there’s no end of inferring motivation and meaning.  That’s part of the search,  I suppose.  Hoping there is something more meaningful than just what is.

Daido Loori spoke (how strange to write that – past tense, gone, gone, gate, gate…) of this in Painted Rice Cakes Satisfy Hunger.

Student: Though it seems that a painted rice cake is real, I’ve never eaten one and I don’t want to, either. What are we talking about?

Teacher: With the painted rice cake?

Student: Yes.

Teacher: Painted rice cake is a reference to a classic image found in Zen literature. In the Linji school it is said that painted cakes do not satisfy hunger; that is, if someone is hungry, a painting of a cake will not help them. Dogen says that painted cakes do satisfy hunger. It all depends on how you understand painted cakes, hunger and satisfaction.What you can say about painted cakes, hunger and satisfaction, you can say about all imagery — liturgy, music, sculpture, painting, dance, calligraphy, gardening, flower arranging, tea ceremony. Whether or not it satisfies depends on how you understand it, how you understand not satisfying; what is satisfaction; what is not satisfaction; how you understand an image; how you understand self and other. That is basically what we are talking about. Anything else?

Student: No.

Teacher: May your life go well.

Student: Thank you for your answer.

I have trouble telling a painted rice cake from a real one.  The strange thing is the real one calls out all six senses in a convergence of evidence that should make it “real”.  But that painted rice cake, that sense of hunger and satisfaction I get from it seems so real.  That conversation I interpret as meaning something, that action I infer as meaning something else.  So much more real in my mind sense.  Eating so many painted rices and thinking them real, why do I wonder how the heck did I gain so much excess baggage?

Daido Loori continues: When you sit on your cushion, get rid of everything. A single thought separates heaven and earth, you and the ten thousand things. When a thought comes up, throw it away, get back to your practice. Be your practice with your whole body and mind. That is what your practice is — being it with your whole body and mind; whether it’s cooking, cleaning, working with a koan, sitting, laughing, dancing, crying.

from Enso by Audrey Seo:  Chapter 12. Rice Cake

Ryochu Nyoryu says, “Eat this and have a cup of tea,” asking the viewer not to worry about the philosophical implications of the image, but merely to relax and have a snack.

Thank you for practising,

Enjoy your tea & rice cakes!

Genju

4 thoughts on “enso & painted rice cakes

  1. When thinking about rice cakes, my mind always goes to the “hunger” part of the story. We have so many kinds of hunger, of course. Painted rice cakes satisfy one kind of hunger; real rice cakes satisfy another kind. But what kind of rice cake could satisfy all our many hungers?

    (BTW, I responded to yer question yesterday on Ox Herding – long and windy, as usual.)

  2. Loved your response and deep bows for it.

    quote: But what kind of rice cake could satisfy all our many hungers?

    a shapeshifting rice cake?

    Doesn’t this go back to my question on your blog? Are we all the same while different? Are all hungers the same while different?

    I was surprised by Daido’s teaching that the purpose and nature of the rice cake is served by how we define and understand our hunger and satisfaction.

    (What I wouldn’t give for some steamed rice cake right now!!!)

  3. Genju – Are you a big fan of Koans? I love this piece, and obviously reminds me of an old school Koan.

    “Hoping there is something more meaningful than just what is.” – That line you wrote reminds me of this old Koan:

    Joshu asked Nansen: `What is the path?’

    Nansen said: `Everyday life is the path.’

    Joshu asked: `Can it be studied?’

    Nansen said: `If you try to study, you will be far away from it.’

    Joshu asked: `If I do not study, how can I know it is the path?’

    Nansen said: `The path does not belong to the perception world, neither does it belong to the nonperception world. Cognition is a delusion and noncognition is senseless. If you want to reach the true path beyond doubt, place yourself in the same freedom as sky. You name it neither good nor not-good.’

    At these words Joshu was enlightened.

    Thanks, nice post!

    • Hi Kyle,I HATE koans. Really. “Koan Study Dropout” is a subsection in my Zen resume. That being said, I am addicted to them; that which you can’t master, masters you.

      I got as far as “what is the subtle sound of the single hand” and then threw up the hand and its sound without any subtlety. I mean confronted by one koan (what is the single hand at the moment of death), I found myself flopping around the floor in front of my dharma teacher. Sheesh!

      But, you know, with time – and no dokusan pressure – I think the damn things are sinking in/out.

      Studied it and was far away.
      Surrendered to duh-mind and I can taste that rice cake.

      🙂

      Thanks!

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