faded images: where we go when we’re gone

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Lessons from surviving 2017: Don’t take anything seriously. Simply because there is no end of surprises to upend expectations and desires.

IMG_2185I hope you’ve all had a restful holiday and a gentle transition into 2018. Well. Hardly gentle today if you are in the Northern hemisphere with its snow, rain, and now that bomb cyclone! Over here, north of the 49th, we’re enjoying a balmy -30°C with sunshine and the occasional welp from Dog1 tripping over Dog2 as they race around the house.

It’s a nice time of year. Not the least because I decided to end 2017 with a dedicated swing at the Room of Doom. Have I mentioned it before? Ah. The RoD is a 10′ x 10′ supposed bedroom that, over the last 14 years, has been the dumping ground – or as they say in current mindfulness-ese, holding the space – of four generations’household Stuff.

IMG_2958 I never thought of myself as a hoarder. I prefer the label of a judicious collector of objects with potential re-sale. This is based on the eternal truth that as soon as I send a box of my fake jewelry to some charity, I discover a need for it (GrandestKid loveslovesloves fake jewelry!) or that it’s the latest in Hipster crazes, like milk glass.

But no more. I have need of a spare bedroom – or two – so famdamily can visit in comfort. Because, after all, who are we without family – dammed or otherwise. So yes. As much as it terrified me to let go of the contents of these boxes, I informed The Kid that she needed to help me unpack these four generations’ boxes and discern stuff from junk.

I honestly thought she’d be more… well…objective. So. Who would have thought that metal camel chewing on a bell was a prized possession? Or the old decrepit Polaroid camera. Or the whiskey tumblers etched in gold with a ship’s water markings. All this time, I’d been hoarding the black velvet paintings of bucolic Burmese landscapes for her.

And then, as the memories were shared, the room filled with people from long ago. Ringing the bell hanging off the camel’s snout DSC_0050had been her duty when visiting her grandparents, my parents; I could see them setting the table. The etched whiskey tumblers, a gift from my parents’ best friend – a ship captain, a frequent visitor in Rangoon where he sailed past our house as he navigated into the harbour; I could hear his laugh. The milk glass is being stored for future dispersal but the cranberry glass decanter goes (horrors…this generation has no appreciation for sherry glasses or decanters!).

It was easier than I anticipated, this letting go of so many things that are now rendered meaningless as memories have been scraped of their emotional colours. And, the gift of having a room for The GrandestKid and The Kid with her PlusOne is a reasonable tradeoff.

As part of our holiday celebrations, we saw the movie Coco, a powerful parable of death as a fading away when there’s no one to remember us, the stories of us. A fitting companion to our time of remembering who we are to each other and revitalizing our histories. And most of all, keeping those memories alive through our living stories and dedication to each other.

the calligraphy of leashes

Leash1When I posted a picture of the puppies, a friend of mine commented that she liked the “calligraphy of the leashes.”  Earlier that day in sangha, we had entertained questions about the necessity of having a formal teacher.  I’m not sure I de-mystified any aspect of the questions yet somehow the elegance of my friend’s comment seems to be the perfect answer.

As the intense relationship of being a puppy parent unfolds, I’m learning that there is as deep a mystery about leashes as there is about calligraphy.  Similar to “bone” which connotes a strong connection in a calligraphic line, the leash has a dynamic power that expresses the relationship between two endpoints.  

The teacher-student relationship is no different.  In practice, all dharmas are our teacher however we risk using that to justify meandering from this person to that, this sangha to the other.  It’s easy to reject a flesh-and-blood teacher and claim that as an enlightened practice, not being caught in form or transcending the need for any Buddhas we meet on the road.  I don’t doubt that there are some practitioners who are blessed with the capacity to live such a life free of the teacher-form.  I do doubt that there are many who can.  (In fact, when we reject the value of a teacher-student relationship from this fear base, we become more vulnerable to the tricksters and charlatans who feed our neediness and desire to be elevated.)

The question of whether it’s necessary to commit to a teacher in some formal way is a trick.  It’s many tricks.  It’s a way of asking for approval to continue an illusion of freedom.  It’s a way of asking for validation to avoid a necessary mirror of practice.  It’s a way of expressing our fear that we would be found unworthy, unwanted and undeveloped.  While there are ways of being that are unworthy of our true nature and unwanted aspects of who we can be, it’s a good start into the koan of relationships to see that we are undeveloped.  But not undevelop-able.

Hence the leash – that inexpressible mirror of the relationship between a steady solid point and an irrepressible desire for everything that passes by.

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The real question then is not about the necessity of a teacher but the need for a commitment to a relationship that might flow in a variety of calligraphic lines.  This is where our fears surge; entering relationship is in our ego-driven minds akin to being restricted, limited.  And yet.  What is there that is not relational?  When are we not one end of a line?  Sometimes those lines are taut and heavy, sometimes they flow with ease and elegance.  At all times the line is an expression of the quality of mind, of a connection that can grow in disciplined progression to liberation from that fear of being held back.