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as she lay dying – meditation on my mother’s body

My mother is dying. After 94 years of standing up to a world that was at times brutal and at times incomprehensible to her, she lies here in her hospital bed between starched, warmed sheets, dying. Her awareness has receded into an inner world of visions and a landscape only she can navigate. Her consciousness which is the arising out of contact senses the sheets, the shifting air, the moist toweling of her body every hour. Earth has dissolved into water as her organs release their hold on function. Water has dissolved into fire as the fluids in her body diminish. Fire has dissolved into air as the vital forces dissipate into flowing wind. All that is left is the expansion of air into spaciousness, into that boundless realm of entire being.

We sit vigilantly each day, following her breath, recalling her life. Sati, recollecting, bringing together, re-membering the dispersed parts of her life as grandmother, mother, wife, friend, sister, cousin, daughter. Fearless and fearsome dragon lady who survived a World War, the British and Japanese Occupation of Burma, strode across oceans and cherished roses.

As part of my own process I have spent the mornings and evenings chanting the name of Avalokita, reading the Anathapindika Sutta, and sitting a vigil sesshin. I don’t know how it helps or if it does but that is why we practice – to move beyond the need for something to happen.

This was a meditation that emerged from one sitting as I brought my attention to my feet, intending to scan through to the top of my head and then to scan my mother’s body in turn. As I began, our bodies merged and this became the meditation. I offer it for the grace of her life.

These are my mother’s toes
which raised her up to reach for all that was needed,
a flower, a cup, a bag of cookies, a dream.

These are my mother’s feet
which strode through the house shaping everything to be beautiful,
which carried me as an infant, then a child, taking me across the tarmac
to meet my father returning from his journey.

This is my mother’s womb
which carried me before I was I,
which embraced me with warmth and nourishment,
which released me into the world with gentleness and grace.

This is my mother’s heart
which sent her life’s blood flowing into me,
filling my body with potential and passion.

These are my mother’s lungs
which purified the toxins from the air,
which gave me life.

This is my mother’s face
which conveyed her love and laughter,
which spoke her words and heard mine.

These are my mother’s hands
which held me firmly walking across the street,
which stirred the soups and stews, the curries and rice,
laying out the heritage of gathering at tables and in kitchens.

These are my mother’s shoulders
which bore the weight of loves and loss,
which never learned to shrug or cast off a burden,
carrying everything with equanimity and fearlessness.

This is my mother’s brain
which created the intricate relationships of her life,
weaving the net that holds us all.

This is my mother’s body.
Sitting, standing, lying down.
This is my mother’s gift
even now.

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a topography of mud settling

We were talking, in sangha, about the things that surface unbidden during meditation.  We explored whether the (hopefully) increasing ability to settle the mud of the mind was giving us glimpses of what lay just below awareness.  Or perhaps, I suggested, the mud simply settled in new configurations, forming a different topography.  That, of course, implies that the pesky self is nothing more than mud – stirring up, obscuring our clarity, and generally making a mess of things.

The picture to the left is from Bandeliers National Monument in New Mexico.  It, along with a photo shoot of the church at Black Mesa, has become one of my favourite places to be.  We discovered the Bandeliers in August 2010 when I had some unexpected free time to wander while my chaplaincy colleagues were frantically learning how to sew their rakusu.  Last summer, the area was ravaged by fire and floods leaving almost 50% of the park closed to the public.

This is a region composed of volcanic tuff – the mud-like material left from a volcanic eruption.  I visited an exhibition about the way gas pockets formed leaving underground caves that became shelters for pre-historic dwellers.  Mud settles and refuge emerges.

In the Bandeliers, the dwellings were carved out of the volcanic tuff or built using bricks made of the mud and mortared together with a mud mixture.  (The tuff stuff’s tough; it was embedded in the tracks of my hiking boots and didn’t look like it would budge without some serious sandblasting!)  Natural openings dotted the canyon walls too and the texture and formations along the cliffs seemed to transform into familiar figures which leaped out at me.

It’s an interesting process of seeing and creating.  The mud settles differently every time.   And a new awareness emerges.