entering zen: the wabi-sabi of practice

GRATITUDE

Whatever it is,
I cannot understand it,
although gratitude
stubbornly overcomes me
until I’m reduced to tears.

Saigyo

Entering Zen by Ben Howard is one of those stealthy books that can overcome you page by quiet page.  And at times, as I read it in a cabin tucked into the misty Catskills, it did reduce me to tears.  There is a simplicity in Howard’s words, something that makes this book and his blog posts (One Time, One Meeting ) a place of exploration that is simultaneously safe and challenging to enter.

These 75 essays offer teachings on Zen that show the practice as basic yet intricate, ordinary yet elegant.  To shine these jewels of practice, Howard draws from his immense knowledge and wisdom of literature, poetry, Buddhist practice, and an intimacy with his own life.  The tone of each chapter is by turn filled with delight at a child’s creativity, nostalgic for ways of living long gone, and delicate in unfolding a complex concept like sabi or wabi sabi.

Weathered Wood, the chapter which does the latter, is likely my favourite because Howard draws us in with a lovely poignant explanation of sabi and extends it to an appreciation of how our lives progress as a “bloom of time.”  He teaches from the wisdom of Tadao Ando, an architect:

Sabi by itself means “the bloom of time.”  It connotes natural progression – tarnish, hoariness, rust – the extinguished gloss of that which once sparkled.  It’s the understanding that beauty is fleeting…Sabi things carry the burden of their years with dignity and grace: the chilly mottled surface of an oxidized silver bowl, the yielding gray of weathered wood, the elegant withering of a bereft autumn bough.

Howard goes on to point out that sabi carries a suggestion of imperfection.  This is not the imperfection of wrongness or improper creation;  it is the imperfection that confirms the authenticity of a life being lived.  And this is the heart of Zen practice: the confirmation that an authentic life is one lived intimately with the truth of imperfection.

Throughout the book, Howard writes with an ease that comes from his skill as a teacher of English Literature, a musician, and his long-standing practice with different teachers.  He brings out the wisdom and compassion of Dogen, Jack Kornfield, Thich Nhat Hanh, and Toni Packer with the same precise skill as what he extracts from poets Seamus Heany, Mary Oliver, and Gary Snyder.  It can be intimidating and somehow Howard manages to make the accessibility of the complexities of the dharma seem to be our own wisdom.  And, his consternation at vanity plates that say “ME” notwithstanding, I do feel the urge to whisper at the end of each chapter, “I did it!”

As the current trend in Buddhist writings leans towards snappy phrases and promises of liberation by the last chapter, Howard’s writings are refreshingly honest.  Practice takes effort.  It is worthy of our attention.  It grants us “refuge… more dependable than any bank and more durable than any mountain.”  It is no more or less than this, just this.

the practice of stuckness

Tomorrow is the Harvest Moon.  It’s also known as the Fruit Moon which prompts the question: what have been the fruits of our practice?  What will we gather together with the intention that it nourish us through the cold, dark nights ahead?  If the state of my life at this point is any indication of my stewardship of my spiritual ground, I’d say winter holds promise of a meager diet.  Where did the time go?  What happened to the plantings of six months ago?

Not only has the wild heat of the Summer been unforgiving of the vegetable and flower gardens, this inner heat of dissatisfaction has left me parched in my practice.  It could be a good thing, I suppose: an opportunity to see the places where my character fractures and edges where my ego curls up and withers.  The fact that I don’t like it is irrelevant because once the whole ball of self-reflection and intense scrutiny gets rolling, there’s not much that will stop it.  And the universe helps it along too.

You remember Sprout who pounced his way into our home, leaving a trail of mashed houseplants and mangled Beanie Babies.  He’s now a year old and thriving.

Meet his doppelgänger, Mystery formerly known as No Name.

I came home one Friday evening to find Sprout unusually needy of attention.  His security blanket, Frank, had been away for a few a days and I reframed his utilitarian affections for me as an opportunity to bond.  Apparently, the practice of equanimity was bearing fruit, transforming the typical bitterness I feel about feline fickleness.  And then I wondered if I was having a spiritual emergency when I saw two Sprouts at my feet, asking to be picked up.  It took a moment, a fascinating moment during which I physically felt my brain trying to make the two one, forcing my eyes to reset to a previous configuration.  One not two.

Sadly, though not for No Name, truth always vanquishes delusion.  And now we are left with a mystery, not just about the cat but the manner in which she got into the house and took up residence.  But reside she will, and preside over the reconfiguration of four cats, two litter boxes, and a deferment of my long-desired rescue dog.  The practice of letting go is getting a workout too.

On the bookish front, I’m blessed with two amazing books.  The Existential Buddhist, Seth Segall’s Encountering Buddhism: Western Psychology and Buddhist Teachings is a tour de force of 9 essays bringing together the Dharma and Western perspectives of mental health.  I had it set for review in October but Frank has absconded with it which reminds me to deepen my practice of generosity and also lock away my new purchases.  The second is by Practice of Zen blogger, Ben Howard: Entering Zen, a collection of Ben’s writings that are always a delight and a deep teaching.  The few chapters I’ve read remind me that there is power in a practice that is softly open and that some things crumble and collapse despite being well-placed and useful at the time of planting.  The third book is a bit of a curiosity called The Heart Attack Sutra by Karl Brunnhölzl.  I have no memory of purchasing this; like Mystery, it seemed to just show up – about the time I was considering cancelling my echo cardiogram and stress echo test because my practice of remembering my mortality doesn’t include fuzzy pictures of a pulsing heart.  (Actually, seeing my heart beat in real-time has to be one of the most profound moments of deep meditation I have ever experienced!)

So.  Yes.  Practice has been a struggle over the last months.  And yet, and yet I know this is precisely the form and purpose of practice: to sit with this discomfort of things out of rhythm and without rhyme.  Dukkha at its most seductive tells us to move away from this stuckness, insists there are more important things to do, critical time that cannot be wasted.  And that is the precise moment to turn into the vast emptiness of practice.