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Feeding the turtles: Daido Loori and the cultivator of cultivators

An Evening at the Monastery (from The Heart of Being: Moral and Ethical Teachings of Zen Buddhism by John Daido Loori):

Q.  Why are so many people these days becoming Buddhists?

A. I don’t know.  I know why I did but I don’t know about anyone else…

My earliest memories of Buddhist practice are of my grandmother and I feeding turtles at the Botataung Pagoda pond.  For a few coins, you could buy a huge ball of popcorn that was fused together.  Breaking off a chunk at a time, I would throw it into the pond and watch the thrashing of the turtles as they decimated the food.  They seemed always hungry which was strange because in a day hundreds of people would feed them.  To us, it was a meritorious deed to feed the turtles especially since turtles and tortoises represented good fortune and wealth.  After the feeding of the turtles, we would sit at the base of the pagoda and listen to the monastics chanting the sutras.  We rarely chanted along.  My grandmother said it was because women were not pure enough to speak the sacred words.  I don’t think she really believed it because I would hear her muted accompaniment to the cadence of the monks.

Many decades later, after journeying with various teachers and through their traditions, I noticed that when under stress I would recite what seemed like meaningless phrases.  For the longest time I thought they were Burmese words to a nursery rhyme.

bo-tan-thatagan gai-ccami

I would repeat it over and over until the crisis passed or some other shiny thing took hold of my attention.  It never occurred to me to investigate it until I came across an audio tape of monastics chanting the Three Refuges.

Buddham saranam gacchami.

I take refuge in the Buddha

By then I was committed to the Zen path taught by Thich Nhat Hanh and fending off queries about when I had decided to become a Buddhist.  When did you take refuge? The answer seemed too hokey so I dodged the question: I’m an immigrant, not a refugee.

The truth is I don’t know when, where or how I came to this spot in my life.  I definitely don’t know who has arrived here.  And as much as I hate the why of any inquiry, it’s more likely to be the better question.

To me the “cultivator of cultivators” is zazen.  I trust zazen.  I trust zazen because I was probably the most deluded, confused, angry, antireligious person you could ever meet….  All I know is I found out about zazen.  In the beginning I did very little sitting.  Every time I finished a period of zazen, I cursed it.  I said it was stupid, a waste of time.  My legs hurt, yet the next day I would find myself sitting again.  The more I sat, the deeper I went.

Perhaps I sat zazen to connect with the lost container that was my family, my home, my culture.  Perhaps I sat zazen because it set me apart from the crowd.  Or maybe I sat zazen because it was an escape from the confusion of relationships and the consequences of my seemingly constant unskillfulness.  Perhaps I sat zazen because it was just there.

Perhaps it was all of the above.

And one day I saw a zen teacher’s assistant very gently arrange the teacher’s robes just before a dharma talk.  I knew I had sat long into that seeing.  And on another day many years later, someone said to me, How do you do that?  See things that way?

Initially I was practicing because I wanted to take pictures.  At that time I was a professional photographer, and my photography teacher, Minor White, told me that meditation helped him to “see” more clearly.  I wanted to “see” like Minor White saw, and if he had stood on his head, I would have stood on my head!  Fortunately, he did meditation.  So that is what I took up.  And it took me to the next step, and that took me to the next step, and finally I reached a point where, instead of fighting every step, I just relaxed into it and allowed it to unfold.  Zazen cultivates itself; that is why it is the cultivator of cultivators.

Now, I notice that when I arrange the robe of the Buddha’s teachings, even the turtles don’t seem to feed as frenetically.

Genju

Buddha

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Dragon songs and withered trees

Caoshan was asked: What is a dragon singing in a withered tree?

He said, The blood vein does not get cut off.

The monk said, I wonder what kind of song the dragon sings?

Caoshan replied: No one knows what kind of song the dragon sings.  But all who hear it lose their lives.

Dogen always manages to turn things inside out.  I’d love to say I get the old guy but a lot of times I don’t.  This one though… dragon songs and withered trees really pushes the envelope for me.  Dragons have always been a strong image in the Burmese culture.  They are called Nagas and are protective dieties.  The image of a dragon gaining the water, which Dogen uses to powerfully express our liberation, fills me with joy and dread.  There’s wildness in their movement yet complete control.  The withered tree is the form of sitting, still and complete.  To feel the power of a dragon in such stillness is to realize the teachings.

The immovability of the tree is its witheredness.  The mountain trees, ocean trees, and sky trees right now are all withered trees.  (Beyond Thinking: Guide to Zen Meditation, Zen Master Dogen, Edited by Kazuaki Tanahashi)

We think everything in that stillness is only available on the cushion.  Sitting this morning, there was the scent of sandalwood in the aroma of the incense, vibration of the furnace fan through the pine floor, shushing of buckwheat in the zafu, yielding of the cotton in the zabuton, and shadows cast by the nishiki.  So easy to be caught in form.

There are the hands that formed the incense, planed the floor boards, planted the willow.  There are the “field-or-village trees.”

The mountain and valley trees are called pines and cypresses in the common world.  The fields-of-village trees are called humans and devas in the common world.  Those who depend on roots and spread leaves are called buddha ancestors.  They all go back to the essence.

Then we get up from the cushion and enter the marketplace.  Where does the dragon song fade to?  What then is the withered tree?

Genju

withered tree