the unborn

egg3

A long time ago, a robin’s egg fell to the deck, looking for all its worth like a piece of the sky had drifted down to rest on the cedar boards. It sat in a dish on the altar for a few years and later became the resting support for incense sticks, itself resting in sand brought home from a North Carolina beach. The blue faded and the shell took on the imprint of burn from an incense stick. It sat faithfully for a decade or more just doing what it was never intended to do yet doing it wholeheartedly.

Then one day it met a puppy and the shell cracked, cracked some more when it was being carried to safety – although once broken could there be any safety. And there in a plate used for sumi-e ink, it met a kitten who in its joyousness opened it totally to reveal all that it had been, all that it possibly could have been and profoundly exactly what it was in that very moment.

egg2

There is so much that we are intended for, so much that is intended for us. It begins however with one and only one intentional possibility: to become what we are. Bird, fish, human. Only after that is fulfilled can we speak of the nuances and ephemeral things-to-become.

And sometimes, we do not, cannot become for so many reasons beyond our ken and control. In those times, we may be given some other role, some other possibility which will do, will have to do for this lifetime. How to do that wholeheartedly? How to rest in that pocket of sand and support the burnt offerings of something beyond our perception?

How to sit without the hope that some intense curiousity or vibrant joy will infiltrate, breaking our shell, opening us. If only to see that what we were intended for is no longer possible. And yet, what we are is immense in its possibilities.

being a time being: dogen, katagiri & the flight of vultures

timebeing1The sight of five vultures waiting at the end of the driveway can be a good thing. What is the good and what thing they point to is, of course, unknowable in the immediate. And yet. That single view is enough to send me wandering on time travels to worlds of worry, regret and wondering what if.

Vultures waiting are a powerful icon for time lost, frittered away. The body/mind unbinding with nothing left but the shell of a vessel poorly treated and meagerly used. I stepped out of the car quietly not wanting to set them on flight; that would have truly signalled the end. So I watched them as they watched something off in the northeast field, unmoving yet intimately related.

Dogen¹ writes exquisitely of time as inseparable from being, time-being or more succinctly being-which-is-time. Uji. It takes a moment to drop into what that feels like because the cascade of moments seems external, impenetrable and inexorably outside our control. Our perception insists that time moves relentlessly and mercilessly as we are dragged along in its wake. No wonder I quail at the sight of an icon of endings.

Katagari² describes “The Pivot of Nothingness” as this present moment – which doesn’t exist because past is vanishing and future has yet to unfold leaving a void, a turning point, a pivot into the next unfolding. For ease of communication, we tend to position ourselves through language. “Here I am.” But the terminology fractures when we drop into the “here” “I” and “am.” Each is a construction of something from the past and a reaching into the future.

In this “here” is a train station into which pulls all manner of locomotives taking me “there.” The room where this or that happened which lead to that or the other not happening. The city where choices ended and others failed to manifest. The bus, the subway where I choose this direction and not that, where one meeting lead to another but a different route missed the intersection of time and another being.

In this “I” are a hundred thousand variations that appear to be a seamless evolution from a past point and into a hopeful future. The aspiring astronaut, the acolyte of science, the lost and wandering characters who make up this play of fools. Examined closely, the appearance of an unbroken tapestry is so heart-rendingly false. More a wildly designed quilt with each patch having emerged from an unknowable confluence of causes, conditions and other beings-of-time.

As I “am” is not enough. There is always something taunting from the future that was planted by a promise from the past. Always something that is insufficient, undeveloped and wantonly wasting time. This am-ness is a counterpoint to what philosopher Evan Thompson³ calls “selfing.” It is an accreted stuckness that takes a wake up slam of vast proportions to dislodge it from the delusion of permanence.

timebeing2And the vultures took flight.

In this pivot of nothingness which contains all that is necessary and sufficient is what Dogen says is the complete moment. Like the firewood and ash¹, it “fully includes before and after and is independent of before and after.” To paraphrase, we cannot call here the beginning of there, I the end of you, or am the end of was.

When you are right on the pivot of nothingness, free from the pictures created by your consciousness, you see time from a universal perspective. There is no gap where you feel separate from time, because your life is the whole dynamic world of time, and all sentient beings are the content of your life. Katagiri, p.78

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¹Tanahashi, Kazuaki (ed), The Treasury of the True Dharma Eye: Zen Master Dogen’s Shobo Genzo, Vol 1. Shambhala 2010

²Katagari, Dainin (Edited by Andrea Martin), Each moment is the universe: Zen and the way of being time. Shambhala 2008

³Thompson, Evan, Mind in Life: Biology, phenomenology, and the sciences of mind. Belknap Press of Harvard University Press 2010

the endless training of zen: book review of A Guide to Zen

Zen training is without beginning and without end.  Some days, when the petty ego takes over and the arbitrary lines are drawn between past and future or gain and failure, that’s a bitter pill to swallow.  On those days, it’s helpful to have a guide that takes the sting out of whatever thought may drift by about gaining and failing.

Katsuki Sekida, author of Zen Training and Two Zen Classics, a translation of the Mumokan and Blue Cliff Records, was a teacher of English and trained in monasteries in Japan.  Editor of this condensation of Sekida’s earlier work, Marc Allen was one of his students at the Maui Zendo and has distilled Sekida’s teachings in a compact, helpful book for beginner and more advanced students of Zen.

Sekida starts with practice.  Acknowledging that Zen is “concerned with the problem of the nature of mind,” he makes it clear from the outset that the workings of mind (speculation and reason) are not separate from personal practice which arise from our body and mind.  Unlike most books on Zen practice which give slight service to posture and breathing, Sekida begins with two chapters detailing posture and breath work.  It’s not just about sitting and different poses; he digs deep into the experience of the breath and unravels the questions we have about the relationship between sitting immobile and the nature of mind.  More than any other book I’ve read, he digs deeply into the physiology of breath and there are some useful practices that surface from this part of the book.

I particularly liked the chapter on Samadhi,

the cleansing of consciousness,
and when consciousness is purified,
emancipation is, in fact, already accomplished.

Complicated words.  Sekida slowly and deliciously unpacks them through his definitions of absolute and positive samadhi and the phases of each. Using Linji’s categorization of the conditions of mind, Sekida describes the permutations and combinations of inner and outer focus (concerns) in clear and easily comprehensible terms.  He also makes an important point of self-mastery as the difference between true samadhi and false samadhi.   This, of course, is my hobby-horse – that litmus test between mindfulness based in ethics and mindfulness as a utilitarian strategy for the petty ego.

Sekida also clarifies the experience of kensho in one simple sentence (underlined below):

It may be, therefore, that the sound of a stone striking a bamboo trunk, or the sight of blossoms, makes a vivid impression, and you experience the wonderful moment of realization we call kensho. In this moment, you seem to see and hear beautiful things, but the truth is that you yourself have become beautiful and exalted.  Kensho is the recognition of your own purified mind.

It doesn’t get more transparent than that.

The book ends with a chapter on the Ox Herding Series.  I found it lovely but too much of a shift away from the dropping deep process of practice and realization of mind that marked the previous chapters.  Nevertheless, Sekida does offer some interesting links of his concepts of the physiology of practice and the spiritual metaphor of herding the Ox as steps in cultivating samadhi.  At times it seems prescriptive or predictive of what might happen as practice progresses.  At times it is reassuring that even on the journey of finding and mastering the Ox, there are ebbs and flows of gaining and failing.  I appreciated this the most in Sekida’s teaching: the Ox Herder is not simply a master of the capture and taming but truly the Everyman, vulnerable yet full of potential.

Finally, kudos to Marc Allen for putting together a very portable book packed full of generous teachings.  It’s one I will certainly stick in my pack and pull out often.

this field of boundless emptiness

Botataung Pagoda

Every Sunday my family began the day with an early morning Mass at the Sacred Heart Cathedral.  Latin Mass.  The rafters resounded with the Credo in Unum Deum and Kyrie Eleison thankfully absorbing my screechy accompaniment.  I lived for those moments of transcendence which set into all of my ten years a deep yearning for total devotion to prayer.  Unlike my peers I needed no bribery for surviving the never-ending chants or the choking scent of the incense censer (interestingly called a “thurible” and for a stunning display of one version check out the last scenes of the movie “The Way” which is about a father’s journey along El Camino de Santiago).  Besotted little Love Dog of the Teachings, I was only too eager to be there front and center absorbing the ceremony and answering back whole-heartedly.

In the afternoons my parents would have their poker parties.  Don’t get me wrong; they were every bit as devout as a good Catholic couple would have been in the wild 50′s of post-war Burma.  But they also knew to feed their attachments to good liquor and cards.  The house would transform into a speak-easy of beautiful men and stunning women navigating around tables of cards, dice and other games I can’t recall.  In the background the strains of Dorsey, Miller, Nat King Cole and the Andrews Sisters erased all trace of the resonant Latin chants.

That was when my grandmother stepped in.  My father’s mother, a cheroot-smoking, shoe-throwing devotee of the Buddha, was not impressed by the exposure I was getting to the three poisons.  Though I doubt she actually thought of it that way.  Perhaps it was more an issue of trying to neutralize the Latin Mass.  In order to marry my grandfather (who was Catholic), she had to agree that her children would be raised Catholic.  So my father, although his devotion to the mystery of being expressed its way in both forms of worship, lived his life a staunch Catholic with a worldview shot through by a quiet Buddhist thread.  And I, swept off to the Botataung Pagoda each Sunday, lived out both their hopes of the Buddhist lineage.

But I didn’t know that at the time.  Sundays were simply, complicatedly, a day of Latin chants followed by the shedding of frilly dresses for the tomboy pants and a walk along the railway tracks that lead me and my grandmother to the pagoda’s turtle pond.  There she bought large compressed balls of popped corn which I fed the turtles, watching them wait semi-submerged and then rise lazily to break off a piece of the chunk I threw into the broad lotus leaves.  I still can’t eat popcorn without thinking “turtle food.”  These interwoven rituals became my practice roots.  Not grandiosity of the Mass, the priests or monastics, the genuflections or prostrations , the soaring Kyrie or monotonic memorized recitations of the suttas that floated in the background of the pagoda grounds.  These were the forms of religion, vaguely activating in the heart but not captivating enough for devotion.

The turtle pond, however, was a different bright boundless field. At its edge I learned the early lessons of transcending sights and sounds, of leaving no trace and reflecting mirror-sharp reality.  This became and continues as the center of my circle of devotion.

The field of boundless emptiness is what exists from the very beginning.  You must purify, cure, grind down, or brush away all the tendencies you have fabricated into apparent habits.  Then you can reside in the clear circle of brightness.  Utter emptiness has no image, upright independence does not rely on anything.  Just expand and illuminate the original truth unconcerned by external conditions….  The deep source, transparent down to the bottom, can radiantly shine and can respond unencumbered to each speck of dust without becoming its partner.  The subtlety of seeing and hearing transcends mere colors and sounds.  The whole affair functions without leaving traces, and mirrors without obscurations….  With thoughts clear, sitting silently, wander into the center of the circle of wonder.  This is how you must penetrate and study.

The Bright, Boundless Field.  In Cultivating the Empty Field: The silent illumination of Zen Master Hongzhi, translated by Taigen Dan Leighton with Yi Wu

spirituality, ritual, and being a selectionist-buddhist

Dad&Mum We had our first formal zazenkai today after a few years of hunkering down in formless practice. As formal as it gets, I suppose, given my tendency to laziness when it comes to form and ritual. Yet those moments of chanting and prostrations are a lovely dance we should all take part in if we are to learn to embody practice, to live vow.  And I felt it was important to honour the 7th day after my mother’s death.

Oh.  That’s my father and mother to the left.  They cut quite a dashing couple in the old days – which were actually the new days for them.  New days of hope that the British Occupation would bring them comfort and opportunity – which it did.  I think the picture is taken after WW II and around the time of Great Optimism.  They were both rising stars in the newly formed government, sometime after Aung San’s assassination and the military take over by Ne Win in 1963.  By then, they had learned to weave through the many political ups and downs including losing much of their acquired wealth when Ne Win demonetarized the Burmese kyat.  In fact, they had both retired and built their dream home only to have my father return to work when asked because, drawing from the rhythms of his poverty-ridden childhood,  he couldn’t imagine a world that didn’t need him or a family that ever had enough money to survive.

This was their legacy: work hard, do what’s necessary, never wonder if things could be better, make them better by waking up each morning and doing what is necessary.

Monk: What is the essence of your practice?
Basho: Whatever is needed

So today, we chanted the Honoring of the Bodhisattvas, lowered our bodies to the ground in gratitude for all the Bodhisattvas and Mahasattvas, the Stream of All Our Ancestors which now includes my parents and the parents of some of my friends whose mothers and fathers made their transition this week.

There’s a reluctance about the form of practice.  I feel it in myself even now after these years of lighting incense, bowing, prostrating, and stepping back before turning away from the altar.  As if somehow I would like this Buddhism to be something pure and separate from the religiosity of my childhood, the cathedrals and the black-frocked Christian European priests speaking to us poor Asians as if we were just south of a Neanderthal lineage.  And yet I resist the neo-spirituality I find that sucks in Buddhism as the panacea for and talisman against all sins past and future.

So yes, I’ve shopped my way around but in my defense it was only because of my ignorance of the many factions (I use that deliberately).  I grew up in a cultural Buddhism which had little to do with meditation and a lot to do with chanting at the pagodas, prostrating and feeding male monastics.  That said, a bit of buffet-surfing was to be expected and having (quickly) settled in Zen, I am quite content and even allow my Latin-Mass Catholic heritage to relish in the rise and fall of Namo Shakyamunaye Buddhaya.

Still, I have to say that meeting so many on this path who are caught in the confounding of being spiritual and being non-religious frustrates me.  Even more do claims to a Selectionist-Buddhism, as if that makes it more spiritual, annoy the heck out of me.    If there was one thing I learned standing my parents’ deathbed – even a decade apart – was that rituals don’t help ease the pain.  That’s not why we step into that space.  Rituals offer an opportunity to see how our mind grabs the nearest thing and makes it fuel.  That’s all.

And that’s likely the most important teaching we will ever receive whether it’s lifting a cup of coffee to our lips, checking the rear view mirror before backing out the driveway, packing our life’s belongings to cross an ocean, or bowing to the stream that awaits us as future ancestors.

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Note bene: Interestingly, I am reading Dispirited: How contemporary spirituality makes us stupid, selfish and unhappy by David Webster.  He has a fascinating thesis on spirituality having been hijacked by the New Age and the buffet mentality of seekers.  The book is good if somewhat problematic in being poorly edited, the occasional philosophical rant and difficulty with having to infer whether he’s talking about “authentic” or “let-me-look-spiritual”  spirituality.  But I’m liking it and, for the more philosophical among you, it may be worth the read.  (He actually does a great job of it on his blog post, Spiritual But Not Religious.)