the center of everything

Where Does the Dance Begin, Where Does It End?

Don’t call this world adorable, or useful, that’s not it.

It’s frisky, and a theater for more than fair winds.
The eyelash of lightning is neither good nor evil.
The struck tree burns like a pillar of gold.

But the blue rain sinks, straight to the white
feet of the trees
whose mouths open.
Doesn’t the wind, turning in circles, invent the dance?
Haven’t the flowers moved, slowly, across Asia, then Europe,
until at last, now, they shine
in your own yard?

Don’t call this world an explanation, or even an education.

When the Sufi poet whirled, was he looking
outward, to the mountains so solidly there
in a white-capped ring, or was he looking
to the center of everything: the seed, the egg, the idea
that was also there,
beautiful as a thumb
curved and touching the finger, tenderly,
little love-ring,

 as he whirled,
oh jug of breath,
in the garden of dust? 

Mary Oliver, from Why I Wake Early (2004)

practice is what you can’t imagine

CAN YOU IMAGINE?

by Mary Oliver

For example, what the trees do
not only in lightning storms
or the watery dark of a summer’s night
or under the white nets of winter
but now, and now, and now – whenever
we’re not looking. Surely you can’t imagine
they don’t dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade – surely you can’t imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in its own mood, comes
to visit — surely you can’t imagine
patience, and happiness, like that.

from Long Life: Essays and other writings

last night

Last night the geese came back,
slanting fast
from the blossom of the rising moon down
to the black pond.  A muskrat
swimming in the twilight saw them and hurried

to the secret lodges to tell everyone
spring had come.

And so it had.
By morning when I went out
the last of the ice had disappeared, blackbirds
sang on the shores.  Every year
the geese, returning,
do this, I don’t
know how.

Two Kinds of Deliverance
from Dream Work
by
Mary Oliver

of the ordinary

Mindful

Every day
I see or hear
something
that more or less
kills me
with delight,
that leaves me
like a needle
in the haystack
of light.
It was what I was born for -
to look, to listen,
to lose myself
inside this soft world -
to instruct myself
over and over
in joy,
and acclamation.
Nor am I talking
about the exceptional,
the fearful, the dreadful,
the very extravagant –
but of the ordinary,
the common, the very drab,
the daily presentations.
Oh, good scholar,
I say to myself,
how can you help
but grow wise
with such teachings
as these –
the untrimmable light
of the world,
the ocean’s shine,
the prayers that are made
out of grass?

Mary Oliver

what if again

How would you live then?

What if a hundred rose-breasted grosbeaks
flew in circles around your head?  What if
the mockingbird came into the house with you and
became your advisor?  What if
the bees filled your walls with honey and all
you needed to do was ask them and they would fill
the bowl?  What if the brook slid downhill just
past your bedroom window so you could listen
to it slow prayers as you fell asleep?  What if
the stars began to shout their names, or to run this way and that way above the clouds?  What if
you painted a picture of a tree, and the leaves
began to rustle, and a bird cheerfully sang
from its painted branches?  What if you suddenly saw
that the silver of water was brighter than the silver
of money?  What if you finally saw
that the sunflowers, turning toward the sun all day
and every day – who knows how, but they do it – were
more precious, more meaningful than gold?

Mary Oliver

and I’m wondering… what if
the very thing you believed in most,
that you knew in your heart all along
as the most intimate song

came and sat beside you?

Genju