108zenbooks

Tag: Katagiri

looks like going

Dosho Port at Wild Fox Zen informs us that today is the 20th year memorial of Katagiri Roshi’s passing.  This week’s posts for 108ZB were prepared before I learned of the memorial.  Katagiri’s writings, especially Returning to Silence, were a huge influence and support in my practice.  May we continue on and carry his gift of dharma forward throughout space and time.

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Tathagata (Buddha) means “looks like going, looks like coming.”  In Buddhism we say, “no going, no coming.” Buddha is just going, just coming. “Looks like going” is a wonderful way to express the Truth.

from Returning to Silence by Dainin Katagiri

Spiritually, March is likely to enter like  a lamb and leave like a lion.  At least, that’s how it feels in this moment.  My calendar for the first three weeks is a whirlwind of work which allows me to be away for two weeks from the churning of billable hours.  My first job several decades ago was with the federal government; my parents thought I had won the lottery.  A regular pay cheque, retirement funds, paid vacations, sick leave, and extended health care were their markers of success.  I can’t deny that for the three years I lasted in a mind-messing bureaucracy, it was a relief not to worry about finances. Then again, in those spiritually dark ages, the depth of my practice amounted to figuring out the best scuba package offered at resorts in Bermuda.  (It was karmically appropriate that I discovered I can’t dive because of inner ear problems which cause me to lose my sense of direction.)

These days, being self-employed, planning my path to enlightenment requires a bit more forethought.  It takes about a year to set up the contracts and scheduling so that the cost of retreat, training, and what-have-you is covered along with the cost of not earning anything while away from the grindstone.  So here we are,  a year after I made the decision that the next stage in my life is to commit to a path of service.  On March 19th I leave for two intense weeks of training, the first leg of the Upaya Buddhist Chaplaincy Training Program.  Actually the first leg – or more accurately the first toe – of the journey began with the Zen Brain retreat which I hope you enjoyed reading through the month of February.

I think for the first time in my life, I’ve made a very conscious and deliberate commitment to a process.  As compelling as it was to grab the opportunity when it was first presented to me, I found myself holding back.  This is uncharacteristic, of course, being one who is totally immersed in the thrill of crazy – and Frank will say, crazy-making – decisions.  That list is long: the horses nobody wanted or could tame, the dogs no one could control, the roads others preferred not to negotiate.  But the spiritual path has been more considered yet also directed by unexpected opportunities.

My deeper life has been lived in a shell slowly cracking open, tap by tap.  The first was administered by my Buddhist grandmother who took me to the Botataung Pagoda every Sunday so I would not be exposed to the weekly poker parties my parents held.  Even if my liberation required rebirth as a man, she was going to ensure it was not to be diverted.  The second was my Religious Humanism professor who risked his career and shocked his class by asking us to consider our real resistance to a human Christ.  After much pussy-footing, he growled, “You can’t abide the thought of God’s Son needing to take a piss!”  I was stunned into considering the difference between a cult of personality and the real nature of faith.  Several years later, at the second History of Psychology class, the professor walked up to me, slammed down two volumes of Tscherbatsky’s Buddhist Logic in front of me and said, “Go away.  Come back with paper why Buddhism is cognitive science.”  His action baffles me to this day because he knew nothing about me yet opened a door that lead directly to confirming the form of my practice.

This storyline is only a reflection of what I need to believe has brought me to this point.  It’s just my way of making some sense of how I’ve laid down this path.  But in the end, as Katagiri writes, it’s like trying to understand “fish” outside the context of “water.”

It is just oneness…  Life and death means “looks like going, looks like coming.”

Thank you for practicing,

Genju

Next: looks like coming – the path of practice

realize human ignorance

The more we sit like this, the more we realize the strength of human ignorance.  There is no reason why we create this terrible situation, but we do constantly…  This is pretty hard, because the more we taste and chew real peace, the more we realize human ignorance.  But the more we realize human ignorance, the more we cannot stop teaching real peace, living real peace.

Dainin Katagiri

Don’t look away.

Practising, practising,

Genju



intimate sound

ikkyupoem3

Another characteristic of sumi painting is that with sumi painting you have to listen to the rhythm of the universe, the rhythm of the world….  (M)ind is like the sound of the pine breeze in the sumi painting.  There, on the paper, is the pine tree… And you can feel the breeze, and the sound of the breeze, from the painting. (from Breeze in the sumi painting in Returning to Silence by Dainin Katagiri)

Not knowing the pine tree as root, branch and bark opens me to a deeper, more intimate knowing.  Intimacy is a deep otobwunderstanding of the pine tree – so deep that the feel of the breeze, the sound of the wind through its branches is evoked through the most subtle of forms.  A line, a space, a curve, a gaze, a touch, glint of golden sunlight there in black ink on white space.

And then gone.


From our friend Ikkyu again:

without beginning,
utterly without end,
the mind is born
to struggle and distresses,
and dies – and that is emptiness.

Thank you for practising,

Genju

Images from top: Ikkyu poem in grass script; kanji character oto /sound

white space

White is one color, but from white, space is created, and many colors.  From this you can see the huge scale of the world. (from Breeze in the sumi painting in Returning to Silence by Dainin Katagiri)


Without the emptiness of white space, the wind in the pines cannot be captured, cannot blow cool and gentle across the sky in the paper.

Emptiness is form; form is contained by emptiness.

My favourite verse in the Tao te Ching is verse #11 (from the Feng & English translation):

kazebw1thirty spokes share the wheel’s hub;
it is the center hole that makes it useful.
shape clay into a vessel;
it is the space within that makes it useful.
cut doors and windows for a room;
it is the holes which make it useful.

What space fills your heart?


Thank you for practising,

Genju

Image: Kanji character for kaze / wind

black ink

what kind of thing is kokoro
I cannot say -
it is painted in ink…
the sound of wind in the pines

Ikkyu (translation by Stephen Addiss)


matsubwSumi painting uses just black ink and a brush.  Black ink is black ink, but black ink is not black as a single color. Katagiri roshi (Returning to Silence) draws our attention to the subtle color in black.  When I draw a pine tree or the kanji character that is in effect the abstraction of a pine tree, I’m drawing the tree, the ground, the sky, and all the beings that inhabit the environment containing this lone pine.  You may not immediately perceive it; it’s a collection of black lines after all! But perhaps, you can sense what these lines evoke in you.  A scent, an outline along a ridge, birdsong, a rustle of movement in the needles under the branches.


Thank you for practising,

Genju

Image: Kanji character matsu/pine tree

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