playing fetch with the black dog: buddhism & depression

alium

It’s finally a sort of Spring here. I mean “sort of” in the sense that there is no clear delineation between the end of Winter and the start of Spring in the very best of years and it’s more than apparent this year. It would be nice to claim that this is some sort of growth in my awareness and hence degree of enlightenment. But it’s not. Spring just seems to saunter up the laneway and turn the corner to the rose garden, looking for all intent and purpose as if it had simply stepped out for a moment to fetch a pail or a trowel. And then looking shocked at the rampant growth of weeds and frost-withered daffodils.

DSC_0032Lady Spring not being the kind to hang around for the hard labour, Frank headed out into the swarm of mosquitoes and black flies to stave off the advances of the dandelions and their ilk. Two hours later I was summoned to check on his work; the greenery had become more undifferentiated in being flora or possible compost. I was astonished. The roses stood out in solitary splendour, the alium sat happily in their tangle mess of leaves and stems, the Buddha wore a half-necklace of chive – and all seemed perfectly right with the world.

There are moments like that these days. It wasn’t always so. I was deeply moved to read Justin Whitaker’s recent blog post on his journey through darkness. Justin writes about his dance with depression and it’s a worthy read for all of us who have taken long walks with the Black Dog. (Side note: if you Google “black dog of depression”, there are a number of fascinating hits.) Many of us know the pain, despair and devastation that can accompany depression and its cohorts of anxiety, phobias and self-harm. We have gone on voyages and pilgrimages to find cures, salves and resolutions to our pain. Some of us enter the path of Buddhism. Some of us meander, picking and choosing in the exact way that reinforces the clutches of helplessness and hopelessness because nothing can ever be a certainty or give assurance that the clouds will lift forever.

And some of us live in a strange oblivion, unaware of that beast dogging our heels or curled snugly against our chest as we lie in bed wishing the dawn away. Perhaps we notice a regret that we made it through the night and have to face another day of masked frailty. Perhaps we take deep breaths just before an exertion, mental or emotional. Perhaps we turn to Buddhism because it promises an end to suffering despite our insistence that we really cannot be suffering in this mud sty of materialist delight.

I don’t recall if I came to Psychology because I suffered or if I came to Buddhism because it was the best articulation of the psychology of mind and behaviour… and because I suffered from those tangles of mind and behaviour. There are so many memories of sitting in the library stacks researching schizophrenia because that could be the only explanation for the impossible reality I experienced. There was this moment of heart-rending insight when I learned that there was a name for what I experienced. It was called “impermanence.” Of course, there were a few nuances to that.

At a gathering of Burmese refugees, I was asked when I left Burma. 1965, I said. He looked at me perplexed. “1965? What was happening then?” In a single sentence, 35 years of exile were wiped away. I could appeal to no war, massacre, slaughter for having left with my parents who themselves bore witness to a range of subtle and overt forms of torture and torment. But it was there. Deep in my memories lay stories I overheard of people being taken away and returned broken in bone and spirit, visits to families left destitute because of changing loyalties and rampant paranoia. But it was 1965 and nothing was happening so I could not have been suffering.

The story could go on for a long while yet but it is little different from what Justin or others have shared. We twist and turn at the end of our perceptions of what it means to feel helpless and hopeless. In the end, however, we exhaust ourselves and become still – in body if not in mind.

What I really want to put out here in black-and-grey is that we tend to dismiss our birthright to suffering. We seek external validation for it and by doing so we fail to see the simple truth that we suffer. Never mind if there is a diagnosis (I’m not big on diagnoses). Never mind if there’s a label that makes it more communicable to health care providers and insurance providers. There’s a place for all that but all that has no place in turning around and sitting in front of that loyal black dog who is simply trying to do its job.

The practice of Buddhism in the face of mental health issues is to teach us to turn around and sit down. Wait for that experience to show up. Meet it with all the equanimity, fear, reservation and curiosity we can muster. It’s a tough scary call to practice but it is an irrevocable responsibility given the moment we first wailed.

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And some days then, we hear with profound clarity the burbling of the spring behind the house. We see the green in the banks of the brook. We smell the ploughed earth and the mown hay in the back field. We feel the soft fur of the animal at our feet, our own “soft animal body that loves what it loves.”¹ We taste the wild strawberry tucked under the lavender bush. And our mind flashes with realization, this is it. Just this.

We throw the ball and the black dog delights in playing fetch.

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¹”“Wild Geese” from Dream Work, copyright © 1986 by Mary Oliver.

the unborn

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A long time ago, a robin’s egg fell to the deck, looking for all its worth like a piece of the sky had drifted down to rest on the cedar boards. It sat in a dish on the altar for a few years and later became the resting support for incense sticks, itself resting in sand brought home from a North Carolina beach. The blue faded and the shell took on the imprint of burn from an incense stick. It sat faithfully for a decade or more just doing what it was never intended to do yet doing it wholeheartedly.

Then one day it met a puppy and the shell cracked, cracked some more when it was being carried to safety – although once broken could there be any safety. And there in a plate used for sumi-e ink, it met a kitten who in its joyousness opened it totally to reveal all that it had been, all that it possibly could have been and profoundly exactly what it was in that very moment.

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There is so much that we are intended for, so much that is intended for us. It begins however with one and only one intentional possibility: to become what we are. Bird, fish, human. Only after that is fulfilled can we speak of the nuances and ephemeral things-to-become.

And sometimes, we do not, cannot become for so many reasons beyond our ken and control. In those times, we may be given some other role, some other possibility which will do, will have to do for this lifetime. How to do that wholeheartedly? How to rest in that pocket of sand and support the burnt offerings of something beyond our perception?

How to sit without the hope that some intense curiousity or vibrant joy will infiltrate, breaking our shell, opening us. If only to see that what we were intended for is no longer possible. And yet, what we are is immense in its possibilities.

being a time being: dogen, katagiri & the flight of vultures

timebeing1The sight of five vultures waiting at the end of the driveway can be a good thing. What is the good and what thing they point to is, of course, unknowable in the immediate. And yet. That single view is enough to send me wandering on time travels to worlds of worry, regret and wondering what if.

Vultures waiting are a powerful icon for time lost, frittered away. The body/mind unbinding with nothing left but the shell of a vessel poorly treated and meagerly used. I stepped out of the car quietly not wanting to set them on flight; that would have truly signalled the end. So I watched them as they watched something off in the northeast field, unmoving yet intimately related.

Dogen¹ writes exquisitely of time as inseparable from being, time-being or more succinctly being-which-is-time. Uji. It takes a moment to drop into what that feels like because the cascade of moments seems external, impenetrable and inexorably outside our control. Our perception insists that time moves relentlessly and mercilessly as we are dragged along in its wake. No wonder I quail at the sight of an icon of endings.

Katagari² describes “The Pivot of Nothingness” as this present moment – which doesn’t exist because past is vanishing and future has yet to unfold leaving a void, a turning point, a pivot into the next unfolding. For ease of communication, we tend to position ourselves through language. “Here I am.” But the terminology fractures when we drop into the “here” “I” and “am.” Each is a construction of something from the past and a reaching into the future.

In this “here” is a train station into which pulls all manner of locomotives taking me “there.” The room where this or that happened which lead to that or the other not happening. The city where choices ended and others failed to manifest. The bus, the subway where I choose this direction and not that, where one meeting lead to another but a different route missed the intersection of time and another being.

In this “I” are a hundred thousand variations that appear to be a seamless evolution from a past point and into a hopeful future. The aspiring astronaut, the acolyte of science, the lost and wandering characters who make up this play of fools. Examined closely, the appearance of an unbroken tapestry is so heart-rendingly false. More a wildly designed quilt with each patch having emerged from an unknowable confluence of causes, conditions and other beings-of-time.

As I “am” is not enough. There is always something taunting from the future that was planted by a promise from the past. Always something that is insufficient, undeveloped and wantonly wasting time. This am-ness is a counterpoint to what philosopher Evan Thompson³ calls “selfing.” It is an accreted stuckness that takes a wake up slam of vast proportions to dislodge it from the delusion of permanence.

timebeing2And the vultures took flight.

In this pivot of nothingness which contains all that is necessary and sufficient is what Dogen says is the complete moment. Like the firewood and ash¹, it “fully includes before and after and is independent of before and after.” To paraphrase, we cannot call here the beginning of there, I the end of you, or am the end of was.

When you are right on the pivot of nothingness, free from the pictures created by your consciousness, you see time from a universal perspective. There is no gap where you feel separate from time, because your life is the whole dynamic world of time, and all sentient beings are the content of your life. Katagiri, p.78

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¹Tanahashi, Kazuaki (ed), The Treasury of the True Dharma Eye: Zen Master Dogen’s Shobo Genzo, Vol 1. Shambhala 2010

²Katagari, Dainin (Edited by Andrea Martin), Each moment is the universe: Zen and the way of being time. Shambhala 2008

³Thompson, Evan, Mind in Life: Biology, phenomenology, and the sciences of mind. Belknap Press of Harvard University Press 2010

breaking bread

luminous2

There’s a new energy in the house.  Not just the wild exuberance of the pups who have so far managed to survive my every threat of sending them to the Great Beyond.  Not just the brighter light of Spring or the receding snow line on the fields.  Not just the thick glaze of ice crust on the trails from the day melt and night freeze.  Not just anything in particular but all things in their eternal uniqueness that come together effortlessly.  Yet that asks so much of us – to simply wait with deep faith that change requires little of us but presence.

After watching Espe Brown’s movie “How to Cook Your Life,” I had an urge to bake bread.  This was a somewhat safer urge to indulge than the one I tend to have after watching superhero dog survivor movies.  But bread making requires effort akin to the great effort of Zen; and yet Espe Brown made it look and sound like the ultimate in cultivated laziness.  Now I get all the be one with the carrot and the spinach rap of Zen.  I do.  Really.  I even get the drink your tea even if it’s just a riff on the sentiment because I’m doing so while pounding out the next blogpost.  And I know about bread baking too having spent many a year baking two, three, many loaves each weekend.

DSC_0053The dharma of bread making is that there are no guarantees.  It thrives on doubt.  Great Doubt.  It is fickle in its liturgy.  Empty yet demanding of form.  Demanding of protocol yet unyielding in promises of outcome.  It is not for the rigid of mind or acolyte of scrupulosity.  And that makes me the worst person on earth for this practice.

However, great effort is often codependent with great blindness and sometimes the delusion of possibilities pays off.  In one of his teaching moments, Espe Brown said, “Let things come to your heart.”  And when I do, it’s clear that bread making is not about bread or making.  It is about distress tolerance.

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At each stage, from the way in which yeast feasts on the sugars to that tender balance between elasticity and collapse of the dough, creating the loaf-to-be is only about trusting the invisible bodhisattvas of gluten and fermentation more than the demons of fear and desire.  It is about letting things go into the dark and do just what they are meant to do without the interference that arises from our desperation to have it done.  Letting go, yes.  Not clinging, definitely.

And yet.  We are not given to truly know the essence of these transitions.  The first round of bread making resulted in a stunted, thick loaf that only Frank, in his endearing love of all things carbohydrate, would relish.  Heavy chunks of glutinous wheat with a savoury buckwheat bite make his morning (and I don’t doubt he dips it in his high-octane coffee).  It may have been the temperature, the thundering hooves of two playful puppies, the arch of my eyebrow, the waves of panic energy that seeped from my palms into the dough as I kneaded it.  Not knowing is the most intimate, Dizang said.  I wonder if he baked bread too.

DSC_0077The second loaf was more generous in its response.  Then again, I adjusted the parameters.  A different recipe from a different book, a few breaths reminding me of my capabilities, more wood in the wood stove, and taking the pups for a 1 hour walk so I didn’t keep checking the proofing of life in the dough.  We can put all the ingredients together when cooking our life.  We can stir, beat, fold, and knead them into some shape.  We can read each expansion and contraction for portents of praise or blame.  We can entrust the clusters of our life to the dark and the light.  We can hold them in boxed forms or freeform.  We can blast them in furnaces or freeze them for some future date.

But we can never really know until we break them open and let them penetrate deep into our heart.

the calligraphy of leashes

Leash1When I posted a picture of the puppies, a friend of mine commented that she liked the “calligraphy of the leashes.”  Earlier that day in sangha, we had entertained questions about the necessity of having a formal teacher.  I’m not sure I de-mystified any aspect of the questions yet somehow the elegance of my friend’s comment seems to be the perfect answer.

As the intense relationship of being a puppy parent unfolds, I’m learning that there is as deep a mystery about leashes as there is about calligraphy.  Similar to “bone” which connotes a strong connection in a calligraphic line, the leash has a dynamic power that expresses the relationship between two endpoints.  

The teacher-student relationship is no different.  In practice, all dharmas are our teacher however we risk using that to justify meandering from this person to that, this sangha to the other.  It’s easy to reject a flesh-and-blood teacher and claim that as an enlightened practice, not being caught in form or transcending the need for any Buddhas we meet on the road.  I don’t doubt that there are some practitioners who are blessed with the capacity to live such a life free of the teacher-form.  I do doubt that there are many who can.  (In fact, when we reject the value of a teacher-student relationship from this fear base, we become more vulnerable to the tricksters and charlatans who feed our neediness and desire to be elevated.)

The question of whether it’s necessary to commit to a teacher in some formal way is a trick.  It’s many tricks.  It’s a way of asking for approval to continue an illusion of freedom.  It’s a way of asking for validation to avoid a necessary mirror of practice.  It’s a way of expressing our fear that we would be found unworthy, unwanted and undeveloped.  While there are ways of being that are unworthy of our true nature and unwanted aspects of who we can be, it’s a good start into the koan of relationships to see that we are undeveloped.  But not undevelop-able.

Hence the leash – that inexpressible mirror of the relationship between a steady solid point and an irrepressible desire for everything that passes by.

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The real question then is not about the necessity of a teacher but the need for a commitment to a relationship that might flow in a variety of calligraphic lines.  This is where our fears surge; entering relationship is in our ego-driven minds akin to being restricted, limited.  And yet.  What is there that is not relational?  When are we not one end of a line?  Sometimes those lines are taut and heavy, sometimes they flow with ease and elegance.  At all times the line is an expression of the quality of mind, of a connection that can grow in disciplined progression to liberation from that fear of being held back.